对罗西尼《塞维利亚理发师》的审美特征及文化视域解读

发布时间：2018-03-21 16:57

本文选题：《塞维利亚理发师》　切入点：脚本　出处：《天津音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：本文以意大利作曲家罗西尼的歌剧作品《塞维利亚理发师》为研究对象,通过对戏剧原作与歌剧脚本的比较研究、歌剧的音乐本体分析来解读《塞维利亚理发师》的歌剧叙事理路与作为意大利美声学派代表作的审美特征,继而引出本篇文论的核心:基于特定的历史文化语境,梳理西方音乐历史中之于歌剧《塞维利亚理发师》,甚者对作曲家罗西尼的评价与价值定位,从而所引发的笔者对罗西尼的再思考。本文分为三个部分:绪论、正文和结论,绪论部分对本文的选题缘由与意义、论题的研究现状、研究思路与方法进行说明。正文分为三章:第一章对戏剧原作与歌剧脚本进行比较研究,并对歌剧的创作背景进行概述,管窥作曲家对脚本结构的处理倾向所体现出的歌剧生成语境;第二章通过对歌剧的音乐本体分析,审视罗西尼的音乐叙事手段及所体现出的意大利美声学派歌剧的审美特征;第三章为对罗西尼的评价与思考。结论部分是对解读歌剧《塞维利亚理发师》的音乐审美特征与文化意涵的结论。
[Abstract]:In this paper, the Italian composer Rosini's opera works "Seville Barber" is taken as the research object, and the comparison between the original drama and the opera script is carried out. The musical Noumenon analysis of opera interprets the narrative theory of opera in Seville Barber and its aesthetic characteristics as a representative work of Italian Beauty School, and then leads to the core of this thesis: based on the specific historical and cultural context. This article is divided into three parts: introduction, text and conclusion. The introduction part explains the reason and significance of the topic, the research status quo, the research ideas and methods. The text is divided into three chapters: the first chapter is a comparative study of the original drama and the opera script, and the background of opera creation is summarized. The second chapter analyzes the musical narrative means of Rosini and the aesthetic characteristics of Italian school of American opera through the analysis of the musical ontology of opera. The third chapter is the evaluation and thinking of Rossini. The conclusion is the conclusion of the interpretation of the musical aesthetic characteristics and cultural implications of the opera Seville Barber.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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