柳子,作为“腔”和“戏”的历史变异

发布时间：2018-03-21 22:23

  本文选题：柳子　切入点：腔型　出处：《中央音乐学院学报》2017年03期 　论文类型：期刊论文

【摘要】："南昆、北弋、东柳、西梆","柳子"曾在历史上十分流行,有一定的影响力。而"东柳"的所指一直为人们所猜测。柳子戏是山东地区的重要戏曲形式,其中包含一个齐言体曲牌【柳子】,也就是柳子腔,这一腔调并不是柳子戏中主要应用的腔调,但柳子戏的"柳子"却与这一腔调同名,可见其特殊性。本文的立意在于通过全国各地柳子腔的音乐分析,梳理其音乐形态和流传变异关系,深入挖掘音乐形态背后的腔调内涵,进一步探讨作为"腔"和"戏"的柳子的历史变异,最终对历史上"东柳"的所指作出判断。
[Abstract]:"Nan-Kun, Bei-yu, Dongliu, Xi-Bang", "Liu Zi" was very popular in history and had a certain influence. What "Dongliu" refers to has been speculated by people all the time. Liu Zi Opera is an important form of opera in Shandong. It contains a Qi Yan qu card [Liu Zi], that is, the Liu Zi cavity, which is not the key tune used in Liu Zi Opera, but the Liu Zi Opera has the same name as Liu Zi Opera. It can be seen that its particularity. The purpose of this paper is to sort out the relationship between the music form and the variation of its spread through the music analysis of Liu Zi cavity all over the country, and to dig deeply into the connotation of the tone behind the music form. This paper further discusses the historical variation of Liu Zi as a tune and drama, and finally makes a judgment on the meaning of Dongliu in history.
【作者单位】： 中央音乐学院音乐学系;
【分类号】：J825
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本文编号：1645837