河南太康道情戏的调查与研究

发布时间：2018-03-25 13:40

本文选题：太康道情戏　切入点：音乐　出处：《新疆师范大学》2010年硕士论文

【摘要】：河南太康道情戏是黄河流域流行的地方稀有剧种之一,流传于河南省太康县及其周边地区,是属于道情戏的重要一支,是国家首批非物质文化遗产。因其在形成之初所演剧目内容多是关于农村的生活戏,所以形成了以“三小戏”(小生、小旦、小丑)为主的角色行当。目前,河南省太康县的道情剧团是传承太康道情戏的唯一载体。剧团在成立之初曾经有过一段辉煌时期,但近年来随着多元化娱乐方式的不断涌现、老百姓审美观念的不断改变,导致中国戏曲艺术的不断衰微。太康道情戏的生存状态也同样面临着巨大的危机,正处在演出市场逐渐萎缩和观众群老化的处境中,加之政府扶持、媒体宣传等非常有限,导致剧团一些优秀的演职人员因生活所迫跳槽和转行的现象日益加剧。太康道情戏的兴衰过程正是中国地方戏曲发展的一个缩影。所以,研究和关注非物质文化遗产这种活态文化传统的存在与可持续发展已经刻不容缓。主要运用了田野调查法、文献资料法、访谈法等,对太康道情戏的形态及传承发展现状进行分析和论述。在全文布局上,除绪论和结语外,共从四个部分进行描述和阐释: 第一部分讲述了太康道情戏的社会背景。主要介绍太康道情戏产生的各种环境; 第二部分讲述了太康道情戏的发展与变迁。梳理太康道情戏的发展轨迹; 第三部分结合谱例介绍太康道情戏的音乐。阐述太康道情戏的唱腔特色、表演形式、乐队伴奏情况等,从不同角度分析太康道情戏的音乐特征; 第四部分是对太康道情戏传承现状的调查与分析。通过田野调查法、文献资料法、访谈法等,对维系太康道情戏的唯一传承载体——太康道情剧团进行深入细致的调查,对太康道情戏的现状进行分析,最后提出有关地方稀有剧种以及相类似的非物质文化遗产生存与发展有益的建议,旨在为传承、保护和发展非物质文化遗产提供参考。
[Abstract]:Taikang Taoism Opera in Henan Province is one of the most popular local rare dramas in the Yellow River Basin. It is an important branch of Taoism Opera, which is spread in Taikang County of Henan Province and its surrounding areas. It was the first batch of intangible cultural heritages of the country. Since most of its repertoire at the beginning of its formation was about rural life drama, it formed a "three small drama" (Xiao Sheng, Xiao Dan, and clown) as the main role. At present, The Taoist Opera Troupe of Taikang County in Henan Province is the only carrier for inheriting Taikang Daoqing Opera. The troupe had a glorious period at the beginning of its establishment, but in recent years, with the continuous emergence of diversified entertainment methods, the aesthetic concept of the common people has been constantly changed. This has led to the continuous decline of Chinese opera art. Taikang Taoist drama is also facing a huge crisis. It is in a situation where the performance market is gradually shrinking and the audience is aging, together with government support, media publicity, and so on. As a result, some of the outstanding performers of the troupe have been forced to change jobs and careers because of their daily lives. The rise and fall of Taikang Taoist drama is a microcosm of the development of Chinese local operas. So, It is urgent to study and pay attention to the existence and sustainable development of intangible cultural heritage. This paper mainly uses the field investigation method, the literature method, the interview method and so on, carries on the analysis and the elaboration to the Taikang Taoist sentiment drama form and the inheritance development present situation. In the full text layout, in addition to the introduction and the conclusion, altogether carries on the description and the explanation from the four parts:. The first part describes the social background of Taikang Taoist drama. The second part describes the development and changes of Taikang Taoist drama. The third part introduces the music of Taikang Daoqing drama combined with the music examples, expounds the singing features, performance forms, band accompaniment and so on, and analyzes the musical characteristics of Taikang Daoqing drama from different angles. The fourth part is the investigation and analysis of the present situation of Taikang Taoist love drama. Through field investigation, literature, interview and so on, the Taikang Taoist drama troupe, the only carrier to maintain Taikang Taoism drama, is investigated deeply and meticulously. This paper analyzes the present situation of Taikang Taoist love drama, and finally puts forward some useful suggestions on the survival and development of local rare drama and similar intangible cultural heritage in order to provide reference for inheritance, protection and development of intangible cultural heritage.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

【引证文献】