清代南北园林演剧消长与南北戏曲嬗变

发布时间：2018-03-31 06:38

本文选题：清代　切入点：士人园林　出处：《厦门大学学报(哲学社会科学版)》2015年01期

【摘要】：清代南北园林分别以士人园林与皇家园林为代表。清康乾以降,士人由园林退回书斋,由艺术转而专注学术,江南园林声伎渐趋衰落,士阶层引领戏曲发展的主导作用大大削弱。与此同时,北方皇家园林演剧却蔚为兴盛,清宫帝后大臣雅俗共赏的审美趣味引导了戏曲发展的主旋律。在南北园林演剧此消彼长以及戏曲审美雅俗嬗变的背景下,北方京剧逐渐取代江南昆曲占据了剧坛的主导地位。从士人园林到皇家园林,从昆曲到京剧,园林不仅在清代戏曲的发展中持续参与着戏曲艺术的构建,而且南北园林中各自形成的戏曲生态与接受主体,对清代南北戏曲的嬗递演进产生不可忽视的影响。
[Abstract]:The north and south gardens of the Qing Dynasty were represented by the scholars' gardens and the royal gardens.In the Qing Dynasty, the scholars retreated from the garden to the study, and turned from the art to the academic, and the leading role of the literati in leading the development of the opera was greatly weakened as a result of the decline of the landscape acoustics in the south of the Yangtze River.At the same time, the northern royal garden drama flourished, and the aesthetic taste after the emperor of the Qing Dynasty led to the main melody of the development of the opera.Under the background of the rise and fall of the north and south garden drama and the transmutation of the opera aesthetic elegance, the northern Beijing opera gradually replaced the Jiangnan Kunqu Opera to occupy the leading position in the opera world.From literati gardens to royal gardens, from Kunqu Opera to Peking Opera, gardens not only continuously participated in the construction of opera art in the development of opera in Qing Dynasty, but also formed the ecological and receiving subjects of opera in the north and south gardens.It can not be ignored on the evolution of the north and south opera in Qing Dynasty.
【作者单位】：陕西师范大学远程教育学院;
【基金】：国家社会科学基金艺术学项目“明清戏曲与园林文化研究”(13BB016)
【分类号】：J809.2

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