裴艳玲的戏曲艺术风格研究

发布时间：2018-04-02 22:32

本文选题：裴艳玲　切入点：河北梆子　出处：《天津音乐学院》2010年硕士论文

【摘要】： 演员是剧种流传的主要载体。演员不仅要继承传统,更要在传统的基础上进行创造,不断开拓创新,才能推动整个剧种乃至戏曲事业的发展,扩大剧种的影响。本文试图以河北梆子《宝莲灯》、《钟馗》和昆曲《夜奔》三出戏为主线,运用图表戏曲音乐分析方法对裴艳玲的艺术成就和唱腔风格进行研究。全文共分为三个部分。第一部分将介绍裴艳玲学习戏曲的过程。第二部分,将对裴艳玲所表演的河北梆子代表剧目《钟馗》和《宝莲灯》进行艺术分析。第三部分,对裴艳玲表演的昆曲《夜奔》进行艺术分析。
[Abstract]:Actors and actresses are the main carriers of drama.Actors should not only inherit the tradition, but also create on the basis of tradition, and innovate constantly in order to promote the development of the whole drama and even the drama cause, and expand the influence of the drama.This paper attempts to use three plays of Hebei Bangzi, Baolian Lantern, Zhong Kui and Kunqu Opera, as the main line, and use the method of chart opera music analysis to study the artistic achievement and singing style of Pei Yanling.The full text is divided into three parts.The first part will introduce Pei Yanling's process of learning opera.In the second part, the artistic analysis of the Hebei Bangzi's representative repertoire, Zhong Kui and Baolian Lamp, which Pei Yanling performed, will be carried out.The third part is the artistic analysis of Pei Yanling's Kunqu Opera.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

【参考文献】