浅析十九世纪意大利歌剧进程中的SAVERIO MERCADANTE

发布时间：2018-04-03 05:12

本文选题：梅尔卡丹特　切入点：浪漫主义歌剧　出处：《上海音乐学院》2017年硕士论文

【摘要】：十九世纪是意大利歌剧发展的黄金时期,见证了古典主义歌剧到浪漫主义歌剧再到真实主义歌剧的历史更替。在这一个世纪中,意大利音乐界大师涌现、百家争鸣,无论从作品数量以及质量上都处于历史高度;各类剧院也如雨后春笋,歌唱艺术也得到空前的提高。作曲家萨维里奥·梅尔卡丹特的一生贡献了六十多部歌剧作品,康塔塔、室内乐、圣咏更是数不胜数。他的作品常年登上S.CARLO、LA SCALA、TEATRO NUOVO、PALERMO、NOVARA CATHEDRAL等意大利主流歌剧院及教堂。1840年起,他担任那波勒斯音乐学院院长一职长达三十年之久。透过他的生平可以看到当时意大利社会的变革,理解意大利民族统一的大背景;研究梅尔卡丹特不同时期的创作特点也有利于深入了解十九世纪意大利歌剧发展的状况,以便分析十九世纪中后期意大利歌剧产生、发展、变迁的深层次原因;他的教学实践、理论著作、声乐观念更对后来的作曲家们产生了积极的影响。
[Abstract]:The nineteenth century was the golden period of the development of Italian opera, which witnessed the historical change from classical opera to Romantic opera to real opera.In this century, Italian music masters emerge, a hundred schools of thought contend, both in terms of the quantity and quality of works are in the historical height; all kinds of theatres are also springing up, singing art has been unprecedented improved.Composer Savilo Mercadante contributed more than 60 operas in his life, including Cantala, chamber music, and chanting.His works have long been in the mainstream Italian opera houses and churches such as S. Carroll LA SCALALATROTEATRO NUOVOATRO PALERMOMOVARA CATHEDRAL and so on. In 1840, he served as dean of the Napoli Conservatory of Music for 30 years.Through his life, we can see the changes in Italian society at that time, understand the background of Italian national unity, and study the creative characteristics of Mercadante in different periods, which is also conducive to a deeper understanding of the development of Italian opera in the nineteenth century.In order to analyze the causes of the emergence, development and change of Italian opera in the middle and late 19th century, his teaching practice, theoretical works and vocal music ideas had a positive influence on the later composers.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J832;J617.2

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