喜歌剧《爱的甘醇》的风格特点及“阿迪娜”的角色表演分析

发布时间：2018-04-10 20:37

本文选题：多尼采蒂 + 歌剧　；参考：《西安音乐学院》2017年硕士论文

【摘要】：欧洲浪漫主义时期,是歌剧创作百花盛开的时期。这个时期的音乐更加强调个人的感情表现,逐渐打破了古典主义时期音乐创作的局限。处在这一时期的意大利,诞生了一位伟大的作曲家,他就是多尼采蒂(Geatano Donizetti,1797-1848)。在他创作的70余部歌剧中,《爱的甘醇》是最为耳熟能详的歌剧作品之一。本文的研究对象就是这部歌剧《爱的甘醇》及女主角“阿迪娜”的角色表演分析。本文共分为三个部分,第一部分为引言,首先介绍了浪漫主义在艺术领域的诞生和发展,为介绍多尼采蒂做铺垫。其次阐述了本篇论文的写作现状、研究目的和意义。第二部分为正文部分,共分为三章,第一章分为两节,首先是对多尼采蒂的生平以及他的创作风格进行了简要的阐述和分析,目的是为了更好的研究其创作的歌剧。其次对多尼采蒂的《爱的甘醇》的时代背景,故事梗概及总体风格特点介绍研究。接下来是对女主角“阿迪娜”进行分析。本文的第二章分为两节,主要是以本人三年来在西安音乐学院的声乐和表演的专业研习中获得的经验,对女主角阿迪娜的表演风格和其重要唱段进行细致地分析与探究。目的是为了加强对整个歌剧作品的了解与把握,提高自身的音乐艺术修养以及自身对角色的把控力和表现能力。第三章主要是结合本人在参演《爱的甘醇》歌剧过程中的经历,谈谈对这部歌剧的认识和体会,以及引发出来对中西音乐文化的交流和融合方面的思考。希望对自身和其他的演唱者提供一些帮助和理论参考依据。第三部分为结论,在总结全文的基础上谈谈自身作为新时代音乐专业研究生的思考。
[Abstract]:The period of European Romanticism was the time when operas were in full bloom.This period of music more emphasis on personal emotional performance, gradually break the classical period of music creation limitations.In Italy during this period, a great composer was born. He was Donetti Geatano Donizettig 1797-1848.Of the more than 70 operas he has written, Glycol of Love is one of the most familiar operas.The research object of this paper is the analysis of the role performance of the opera "the Glycol of Love" and the heroine Adina.The first part introduces the birth and development of romanticism in the field of art and lays the groundwork for the introduction of Donetzetti.Secondly, this paper describes the status quo of writing, research purposes and significance.The second part is divided into three chapters, the first chapter is divided into two sections, the first is the life of Donizetti and his writing style for a brief elaboration and analysis, in order to better study his creation of opera.Secondly, it introduces the background, story outline and general style of Donetzetti's Love Glycol.Next is the analysis of the heroine Adina.The second chapter of this paper is divided into two sections, mainly based on my three years in Xi'an Conservatory of Music in vocal music and performance of professional research experience, to the heroine Adina performance style and its important track for careful analysis and exploration.The purpose is to strengthen the understanding and grasp of the whole opera works, to improve their own musical art accomplishment and their ability to control and express the role.The third chapter is mainly based on my experience in the process of performing the opera of Love, talking about the understanding and experience of this opera, and the reflection on the communication and integration of Chinese and Western music and culture.I hope to provide some help and theoretical reference for myself and other singers.The third part is the conclusion, on the basis of summing up the full text, talking about their own thinking as a music graduate student in the new era.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

【相似文献】