关于戏曲艺术的传统与革新

发布时间：2018-04-11 08:01

本文选题：口号声 + 傅谨　；参考：《四川戏剧》2016年01期

【摘要】：正维持传统与改革创新的矛盾永远贯穿于人类发展的进程之中。如果把这二者对立起来的话,就会发现人们总是纠结在这二者之间,首鼠两端,进退失据。戏曲也是如此。"在守正的基础上创新"——这是差不多人人认同、放之四海而皆准的真理,然而一旦付诸实施,是强调传统还是强调革新,就会出现巨大差异。在一片"创新"的口号声中,傅谨先生提出"坚守传统"的主张(参见傅谨《坚守传统,才有未来——为中国戏曲学院"第六届京剧优秀青年演员研究
[Abstract]:The contradiction between tradition and innovation is always running through the process of human development.If you put the two against each other, you will find that there is always a struggle between the two, the first rat at both ends, advance and retreat.The same is true of opera. "Innovation on the basis of orthodoxy "- this is a universal truth that almost everyone agrees with, but when put into practice, emphasis on tradition or innovation makes a huge difference.In the sound of the slogan "Innovation", Fu put forward the idea of "sticking to tradition" (see Fu Xian < sticking to tradition) before there is a future: a study of outstanding young actors in Beijing Opera for the sixth session of the Chinese Academy of Chinese Opera
【作者单位】：中山大学中国非物质文化遗产研究中心;
【分类号】：J805

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