歌剧《苍原》研究

发布时间：2018-04-15 16:37

本文选题：中国歌剧 + 大歌剧　；参考：《中央音乐学院》2012年硕士论文

【摘要】：歌剧《苍原》是上世纪90年代中期辽宁歌剧院推出的一部大型歌剧。它用歌剧的形式,以辉煌磅礴的气势,展现了土尔扈特蒙古族部落举族东迁,回归中国故土的宏大历史事件。其戏剧、音乐、舞蹈、舞美等各种艺术形式均达到较高水平,使得《苍原》在上演后,获得了众多的奖励和好评。本文以该剧的脚本和音乐为主要研究对象,采用音乐学和历史学的研究方法,通过对歌剧《苍原》上演的前后过程及戏剧、音乐的本体部分的调查和研究,更进一步探讨其现象背后一些深层因素。进而将这些因素提升到理论高度,为中国歌剧发展及相关问题的研究提供可资借鉴的经验教训和有益的指导,这不仅对今后的歌剧创作发展有一定的铺垫意义,也对中国歌剧发展历程的研究和中国音乐史研究有一定现实意义和价值。全文分绪论、第一、二、三、四章及结语六部分。绪论部分对目前国内歌剧《苍原》的研究现状和本文的研究目的、研究方法及意义进行了梳理和介绍。正文第一章对《苍原》的主创人员和组织演出单位辽宁歌剧院,以及剧情介绍和题材历史溯源等方面进行了梳理和总结。第二章对《苍原》剧本的特点和整体及局部的戏剧音乐结构进行分析和介绍。第三章从音乐的史诗性、悲情性和音乐素材的多民族性三方面对全剧的音乐特色进行研究。第四章在前三章的基础上,从“大歌剧”的历史及含义入手,通过对中国大型歌剧作品发展脉络的梳理,对《苍原》在中国歌剧发展进程中的历史地位进行评价。结论部分提出了“中国‘大歌剧’”的理论提法,并对其意义进行总结。
[Abstract]:The opera Cang Yuan is a large-scale opera launched by Liaoning Opera House in the mid-1990 s.In the form of opera and with magnificent momentum, it shows the great historical events of the Tuerhute Mongolian tribe moving eastward and returning to China's native land.Its drama, music, dance, dance and other forms of art have reached a higher level, making Cangyuan after the performance, won numerous awards and praise.This article takes the script and music of the play as the main research object, adopts the research method of musicology and history, through the investigation and research on the process of the opera "Cangyuan" performance, the drama and the body part of the music.Further explore the underlying factors behind the phenomenon.Then these factors will be promoted to the theoretical level, which will provide lessons and useful guidance for the study of the development of Chinese opera and related issues, which will not only pave the way for the development of opera creation in the future.It is also of practical significance and value to the study of the development course of Chinese opera and the study of Chinese music history.The full text is divided into the introduction, the first, second, third, four chapters and the conclusion six parts.In the introduction part, the present research situation and purpose, research methods and significance of the opera Cang Yuan in China are reviewed and introduced.In the first chapter, the author and the organizing unit of Liaoning Opera House, as well as the introduction of the plot and the history of the subject matter, are reviewed and summarized.The second chapter analyzes and introduces the characteristics and the whole and partial musical structure of Cangyuan script.The third chapter studies the musical characteristics of the whole play from three aspects: the poetic nature of music, the emotion of sadness and the multinationality of music material.On the basis of the first three chapters, the fourth chapter begins with the history and meaning of "grand opera", and evaluates the historical position of Cang Yuan in the development process of Chinese opera through combing the development of Chinese large-scale opera works.The conclusion part puts forward the theoretical formulation of "Chinese Grand Opera" and summarizes its significance.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J822

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