歌剧《小二黑结婚》中“小芹”人物形象塑造及角色定位研究

发布时间：2018-04-16 05:40

本文选题：歌剧《小二黑结婚》 + 形象塑造　；参考：《河南大学》2012年硕士论文

【摘要】：歌剧演唱和表演是声乐学习过程中必修的功课。在从事这门综合性艺术的研究学习和舞台实践中，不仅仅要对歌剧这一名词要做详尽的了解和认知，更需对歌剧中所包含的人物形象及人物角色的定位做必要的理论准备工作，以便更好付诸于成功塑造人物形象并能较合理地进行角色定位的实践之中。本论文通过对歌剧《小二黑结婚》中的女主角“小芹”这一人物形象的塑造以及此人物审美价值的分析，探讨其人物角色定位中人称之间的关系以及角色定位在具体唱段中的运用，从而总结出歌剧人物塑造和人物角色定位在演唱中统一的美学原则。全文除了绪言和结语之外，正文分为四个部分，主要内容如下：一、歌剧《小二黑结婚》概述，包括歌剧《小二黑结婚》的创作背景，创作手法及艺术特点，艺术成就及历史意义等内容。二、“小芹”人物形象的塑造，主要从戏剧形象和音乐形象两个方面来分析，，并对人物的审美价值做简要分析。三、“小芹”的角色定位及运用，分别对“我即我”、“你即我”“他即我”的人称定位进行概念界定，并结合部分唱段谱例来具体做演唱处理。四、歌剧人物形象塑造和角色定位的美学原则，共有三个理论要点。
[Abstract]:Opera singing and performing are compulsory lessons in vocal music learning.In the research, study and stage practice of this comprehensive art, we should not only make a detailed understanding and cognition of the term opera, but also make necessary theoretical preparations for the character image and the positioning of the character role contained in the opera.In order to better put into the successful portrayal of characters and can be more reasonable role positioning practice.This thesis is based on the analysis of the portrayal of the character "celery" and the aesthetic value of the character in the opera "Square Black Marriage".This paper probes into the relationship between personas in the positioning of the characters and the application of the roles in the songs, and sums up the aesthetic principles of the unity of the opera characters and the personas positioning in the singing.In addition to the introduction and conclusion, the text is divided into four parts, the main content is as follows:The first part is an overview of the opera "Square Black Marriage", including the creation background, creative techniques and artistic characteristics, artistic achievements and historical significance of the opera "Square Black Marriage".Secondly, the creation of the character image of "celery" is mainly analyzed from two aspects of drama image and music image, and the aesthetic value of the character is briefly analyzed.Thirdly, the role orientation and application of "Xiao Qin" defines the personal positioning of "I am me" and "you namely me" respectively, and combines with some canto scores to deal with singing concretely.Fourth, there are three main points in the aesthetic principles of the creation and positioning of opera characters.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J822

【引证文献】