论二十世纪初留日学生群体的戏剧观念

发布时间：2018-04-17 20:42

本文选题：二十世纪初 + 留日学生群体　；参考：《西南民族大学学报(人文社科版)》2017年10期

【摘要】：在二十世纪初中国戏剧的革新运动中,留日学生群体起到了突出而关键的作用。他们的戏剧观念虽基于当时改良社会的现实诉求,却不乏对戏剧艺术本体内容的思考。它既在戏剧功用和创作理念上显示出艺术对于政治、社会、人生的多方位关注,又在戏剧审美价值和精神内涵等方面体现出对中国现代戏剧发展方向的主动探索,从而成为上世纪初中国戏剧观念现代化的重要组成部分。鉴于此,本文从戏剧功用观、戏剧创作观、戏剧审美观等方面对该群体的戏剧观念进行梳理和探讨。
[Abstract]:In the revolutionary movement of Chinese drama at the beginning of 20 ~ (th) century, the group of students studying in Japan played a prominent and key role.Although their concept of drama is based on the realistic demand of improving the society at that time, there is no lack of thinking about the content of drama art.It not only shows the attention of art to politics, society and life, but also reflects the active exploration of the development direction of modern Chinese drama in the aspects of drama aesthetic value and spiritual connotation.So it became an important part of the modernization of Chinese drama concept at the beginning of last century.In view of this, this article combs and discusses the drama concept of this group from the aspects of drama function view, drama creation view, drama aesthetic and so on.
【作者单位】：安徽师范大学文学院;
【基金】：国家社会科学基金重大项目“20世纪中国美学史”(12&ZD111)阶段性成果
【分类号】：J809.2

【相似文献】