论中国传统戏剧的晚成

发布时间：2018-04-18 18:36

本文选题：社会政治 + 社会经济　；参考：《兰州大学》2010年硕士论文

【摘要】： 本文针对中国传统戏剧晚成于古希腊戏剧这一命题进行研究和探讨。前两章着力于解释清楚两个戏剧起源方面的问题——中国传统戏剧究竟形成于何时?中国与古希腊戏剧的源流有何异同?第一个问题的解答依赖于对前辈学者相关论述的梳理,得出一个相对广泛接受的结论——中国传统戏剧形成于宋元时期。第二个问题从两个范畴的戏剧概念中寻找到原始戏剧之“同”,以及现代意义上戏剧的中希源流主次差别之“异”。这两个问题的结论作为后五章中具体问题研究的立论根本和落脚点。第三章至第七章在前文论述的基础上系统深入地从中国古代社会政治、社会经济、社会思想文化尤其是文学传统、艺术自身发展规律等多发面寻求中国传统戏剧晚成于古希腊戏剧的原因。中国古代的君主专制政体及其政治制度和文化政策使得戏剧形成之路遍布荆棘。而中国城市经济的不发达,使得“百戏”散落民间却难以找到成为“戏剧”契机。中国政治经济基础上产生的独特的思想文化状况中存在了大量不利于戏剧形成的因素。中国古代叙事文学的相对薄弱,导致了戏剧形成过程中情节性因素的欠缺,是中国传统戏剧晚成的重要原因。最后,中国传统戏剧本身的高度复杂性正是其难以迅速形成的内在原因。
[Abstract]:This paper studies and discusses the proposition that Chinese traditional drama became late in ancient Greek drama.The first two chapters focus on explaining the origin of the two dramas-when did Chinese traditional drama come into being?What are the similarities and differences between the origin of Chinese and ancient Greek drama?The answer to the first question depends on the combing of the related expositions of the predecessors and scholars, and draws a relatively widely accepted conclusion that the traditional Chinese drama was formed in the Song and Yuan dynasties.The second question is to find out the "same" of the original drama from the two categories of the concept of drama, as well as the "difference" of the main and secondary differences of the source and stream of drama in the modern sense.The conclusion of these two questions is the foundation and foothold of the research on specific problems in the last five chapters.The third to seventh chapters systematically and deeply analyze the ancient Chinese social politics, social economy, social ideology and culture, especially the literary tradition, on the basis of the previous discussion.The development law of art itself seeks the reasons for the late formation of Chinese traditional drama in ancient Greek drama.The ancient Chinese monarchy and its political system and cultural policy made the formation of drama full of thorns.However, the underdevelopment of Chinese urban economy makes it difficult to find the opportunity to become drama.There are a lot of factors which are not conducive to the formation of drama in the unique ideological and cultural conditions on the political and economic basis of China.The relative weakness of ancient Chinese narrative literature, which leads to the lack of plot factors in the process of drama formation, is an important reason for the late development of Chinese traditional drama.Finally, the high complexity of Chinese traditional drama itself is the internal reason why it is difficult to form rapidly.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J809.2

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