20世纪初叶梅兰芳戏剧活动与社会反应研究
发布时间:2018-04-19 03:09
本文选题:梅兰芳 + 新戏改革 ; 参考:《东北师范大学》2010年硕士论文
【摘要】: 二十世纪初期以来有关梅兰芳的研究,已经有很多书籍及杂志做过评论及报道,内容涉及梅兰芳个人及艺术的各个方面,1988年在梅兰芳的祖籍地江苏泰州建立了梅兰芳史料陈列馆,1996年以此成立了梅兰芳研究会,使得梅兰芳研究越来越系统化和专业化。纵观整个梅兰芳艺术研究史,主要分为三个阶段,一是新中国建立之前的、新中国建立之后十七年和文革后的梅兰芳研究。这些研究取得了很大的成果,也为后人了解认识梅兰芳及领略梅兰芳戏曲文化提供了宝贵而丰富的资料。从1913年开始,对梅兰芳深入研究就一直没有间断过,并且一直在向前发展,从最初单纯的报道性文章,到今天以坚实的理论为基础更加学术性的研究,一直没有停步。 对梅兰芳评论研究,尤其是以二十世纪初期的评论为对象,关于梅兰芳戏剧艺术成就以及梅派艺术的研究领域几乎空白。本文以二十世纪初期的上海为背景,围绕以当时上海的主流媒体为平台,以及鲁迅胡适等人对梅兰芳艺术的批评与赞赏展开讨论,通过详实的史料复现大时代背景下的梅兰芳艺术,以及他所引领的京剧繁荣景象,并以此阐发对梅兰芳戏剧艺术和表演形式客观评论以及所产生的重要影响。
[Abstract]:Many books and magazines have commented and reported on Mei Lanfang's research since the early 20th century.The content involves Mei Lanfang's individual and various aspects of art, in 1988, the historical materials exhibition hall was established in Taizhou, Jiangsu Province, where Mei Lanfang was born in 1988, and then, in 1996, he set up Mei Lanfang Research Society, which made the research of Mei Lanfang more and more systematic and professional.Throughout the history of Mei Lanfang's art research, it is divided into three stages: one is the study of Mei Lanfang before the founding of New China, 17 years after the founding of New China and after the Cultural Revolution.These studies have made great achievements and provided valuable and rich materials for the later generations to understand Mei Lanfang and learn the opera culture of Mei Lanfang.Since 1913, the in-depth study of Mei Lanfang has been uninterrupted, and has been moving forward, from the initial pure reporting articles to the more academic research based on solid theory, there has been no pause.The research on Mei Lanfang's criticism, especially in the early 20th century, is almost blank in the field of the artistic achievement of Mei Lanfang's drama and the art of Mei School.Based on the background of Shanghai in the early 20th century, this paper focuses on the platform of the mainstream media of Shanghai at that time, as well as the criticism and appreciation of the art of Mei Lanfang by Lu Xun Hu Shi and others.Based on the detailed historical data, the art of Mei Lanfang under the background of the great times and the prosperous scene of Peking Opera led by him are reproduced, and the objective comments and important influences on the art and form of performance of Mei Lanfang are expounded.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J809.2
【引证文献】
相关硕士学位论文 前1条
1 黄蓓蓓;“看戏”的贵族化、流行化与女性化[D];华东师范大学;2012年
,本文编号:1771304
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