淮海戏传承及其现状考察

发布时间：2018-04-26 00:31

本文选题：江苏淮阴 + 演出剧目　；参考：《中国戏剧》2015年12期

【摘要】：正淮海戏,早期是沿门说唱民间故事的"门头词",因以板三弦伴奏,也称"三刮调"、"肘鼓子",流行于江苏淮阴、连云港及徐州、盐城地区的部分城乡和安徽东北一带。清道光十年(1830)后,苏北艺人自由结社,发展为打地摊演出的小戏。清光绪六年(1880)后,淮海小戏与徽剧、京剧等先后搭班合演,革新了音乐唱腔,丰富了表演技艺,吸收了演出剧目。光绪二十六年(1900)后,淮海戏有了女艺人,艺术上也有
[Abstract]:Zheng Huai Hai Opera, early is along the door rap folk story "door head word", because of the plate three string accompaniment, also known as "three scrape tune", "elbow drum", popular in Jiangsu Huaiyin, Lianyungang and Xuzhou, Yancheng part of the urban and rural areas and northeast Anhui area. Ten years after Qing Daoguang (1830), Subei artists freedom of association, the development of a small show. After six years of Qing Guang Xu, Huai Hai Opera, Huizhou Opera, Beijing Opera and so on set up a class, innovating the music singing, enriched the performance skills, absorbed the performance repertoire. After 26 years of Guang Xu (1900), there were female artists in Huaihai Opera, as well as in art.
【作者单位】：江苏师范大学音乐学院;
【分类号】：J825

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