贝利尼歌剧《诺尔玛》《梦游女》《清教徒》中塑造女主角形象的艺术手段及风格特征

发布时间：2018-04-26 22:10

本文选题：贝利尼 + 歌剧　；参考：《南京艺术学院》2010年硕士论文

【摘要】： 贝利尼是十九世纪上半叶意大利著名的歌剧作曲家,他善于以女性为主角,以她们的爱情和命运为主线进行歌剧创作。本文以他的三部代表作《诺尔玛》、《梦游女》和《清教徒》中的三个女主人公诺尔玛、阿米娜和埃尔维拉为研究对象,从戏剧形象入手,探讨作曲家塑造她们音乐形象的艺术手段及风格特征,以期使歌唱者对贝利尼的歌剧有更为深入的认识与了解,更好地诠释贝利尼的歌剧作品。本文共分四章:第一章主要对贝利尼及其三部歌剧的创作以简要介绍。第二章主要从三剧女主角的戏剧形象入手对其人物性格等进行分析。第三章是本文的重点,从三剧女主人公的音乐形象入手,分析贝利尼塑造女主角的技术手段与风格特征。第四章将以三位女主人公的三首具有代表性的咏叹调为例,谈谈在演唱中的一点体会。
[Abstract]:Bellini is a famous Italian opera composer in the first half of the nineteenth century. He is good at making operas with women as the protagonists and their love and destiny as the main line. In this paper, three heroines, Norma, Aminay and Elvira, in his three masterpieces, Norma, sleepwalker and Puritan, are studied, starting with the dramatic images. This paper probes into the artistic means and style characteristics of composers in shaping their musical images in order to make the singers have a deeper understanding and understanding of Bellini's operas and better interpret Bellini's opera works. This paper is divided into four chapters: the first chapter mainly introduces Bellini and his three operas. The second chapter mainly analyzes the characters of the three-drama heroines. The third chapter is the focus of this paper, starting with the musical image of the heroine of the three plays, analyzes the technical means and style characteristics of Bellini's portrayal of the heroine. The fourth chapter will take the three heroines' three representative arias as an example to talk about some experience in singing.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

【引证文献】