20世纪戏曲艺术的本位传播

发布时间：2018-04-27 01:25

本文选题：戏曲艺术 + 戏曲传播　；参考：《艺术百家》2015年03期

【摘要】：20世纪戏曲艺术的本位传播是指以某一戏曲剧目的舞台表演艺术为具体传播对象的传播。本位传播具有两个特点:一是一个剧目的完整的舞台呈现;二是直接面对观众的现场演出。本位传播可划分为整体传播和分支传播。一方面,戏曲可以以剧目为单位在舞台上完整地传播给观众,这些传播可视为整体传播;另一方面,戏曲可以以剧本、唱段、单出等形式进行传播,这些传播可视为分支传播。在整个20世纪,戏曲艺术的本位传播是把整体传播与分支传播相互结合起来进行的。整体传播是分支传播的讯息源,20世纪戏曲整体传播的业绩主要体现在新编历史剧和现代戏两大方面。在整体传播的基础上,衍生出大量的分支传播。因此,20世纪戏曲的分支传播非常可观,主要表现在剧本、唱段和单出表演三个方面。
[Abstract]:The standard communication of the opera art in the 20th century refers to the dissemination of the stage performing art of a certain opera repertoire as the specific communication object. The standard communication has two characteristics: one is the complete stage presentation of a repertoire, the other is the live performance directly facing the audience. Standard communication can be divided into integral communication and branch communication. On the one hand, the opera can be transmitted to the audience on the stage as a unit, which can be regarded as the whole communication; on the other hand, the opera can be spread in the form of script, choir, single out and so on, which can be regarded as branch communication. Throughout the 20 th century, the standard communication of opera art combined the whole communication with branch communication. The whole communication is the information source of the branch communication. The achievement of the whole communication of opera in the 20th century is mainly reflected in two aspects: the new historical play and the modern drama. On the basis of the whole communication, a large number of branches spread out. Therefore, the branch spread of the 20 th century opera is very considerable, mainly in three aspects: script, choir and single performance.
【作者单位】：东南大学艺术学院;
【基金】：中国传统艺术传承与传播创新团队阶段性研究成果之一
【分类号】：J809.2

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