当下中国戏曲文化生态及其更新

发布时间：2018-04-29 13:55

本文选题：当代中国 + 戏曲生态　；参考：《艺术百家》2015年01期

【摘要】：当前中国传统戏曲的生态环境已经彻底改变,虽说戏曲并未完全失去现代价值和观众基础,而且作为重要的人类遗产具有不可复制与再生的文化价值,毕竟需要正视市场急剧萎缩的时代现实。戏曲国有院团改制的长期扰攘表明,只有视之为综合治理工程,先行致力于相应社会配套政策和措施的设立与完善,才可能有一个可持续的良性推进。戏曲艺术评奖办节虽然一定程度上褒奖与推掖了优秀的从业者和创作成果,却使自身更加脱离市场、失去原生土壤,并带来艺术后遗症。改革冲垮了旧有秩序,新的秩序却长时间未能有效建立,引起戏曲新的文化生态失衡,时下体制输血、造血和抽血的情况同时存在,戏曲夹在其间惶惶不可终日。当代中国戏曲艺术批评理论体系亟待建设。
[Abstract]:At present, the ecological environment of Chinese traditional opera has been completely changed, although opera has not completely lost its modern value and audience base, and as an important human heritage, it has the cultural value that cannot be duplicated and regenerated. After all, there is a need to face up to the reality of the times when markets are shrinking sharply. The long-term disturbance and hustle and bustle of the reform of the state-owned opera troupe shows that only by taking it as a comprehensive management project and first devoting to the establishment and perfection of the corresponding social supporting policies and measures, can there be a sustainable and benign advancement. Although to some extent praise and push the outstanding practitioners and creative achievements, the festival made itself more out of the market, lost the original soil, and brought art sequelae. The reform broke down the old order, but the new order failed to be established effectively for a long time, which caused the new cultural and ecological imbalance of the opera. The situation of blood transfusion, hematopoiesis and blood pumping existed simultaneously. The theoretical system of contemporary Chinese opera art criticism needs to be constructed urgently.
【作者单位】：中国作家协会;
【分类号】：J809.2

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