感觉、感受、感悟—演员塑造角色的捷径

发布时间：2018-04-30 08:06

本文选题：戏剧 + 表演　；参考：《吉林艺术学院》2012年硕士论文

【摘要】：本文正是了解了戏剧表演的当今现状，，分析迈向角色的不同捷径。着力强调“感觉”、“感受”、“感悟”的重要性。通过理解力、想象力、观察力、感受力、表现力，这正是演员塑造角色的根本条件，正所谓“有感而发”。表演作为戏剧的重要元素，其所强调的人物形象创造之于戏剧的重要性，体现了对戏剧本身认识的趋近。演员作为戏剧的直接载体，本身的台词、形体，通过行动阐述故事，较之剧本以语言为载体间接地以代言体叙述故事，更加自然且原生态。如亚里士多德所说，动作是支配戏剧的法律。结合本身作为表演教师的实际条件，理解并分析演员（学生）在表演创作中常见的问题，理论和实践相结合，真正有能力的引导演员（学生）更近、更深一步的迈向角色。
[Abstract]:This article is to understand the present situation of theatrical performance and analyze the different shortcuts to the role. The importance of "feeling", "feeling" and "feeling" is emphasized. Through understanding, imagination, observation, sensibility, expressiveness, this is the fundamental condition for actors to shape their characters, which is to "want to express their views." As an important element of drama, performance emphasizes the importance of character creation to drama, which reflects the approaching of the understanding of drama itself. Actors, as the direct carrier of drama, their own lines, form, through action to explain the story, compared with the script with language as the carrier indirectly in the narrative of the story, more natural and original. As Aristotle said, action is the law that governs drama. Combining with the actual conditions of acting teachers, we understand and analyze the common problems of actors (students) in acting creation, combine theory with practice, and guide the actors (students) more closely and step further into the role.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J812

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