论《荆钗记》及其传播

发布时间：2018-05-03 08:33

本文选题：荆钗记 + 南戏　；参考：《苏州大学》2012年硕士论文

【摘要】：《荆钗记》是四大南戏之首，在南戏和整个中国戏曲的发展史上都有着重要的地位，并且为广大观众喜闻乐见，时至今日，，《荆钗记》依旧在戏曲舞台上常演不衰。本文以《荆钗记》为研究对象，深入探讨其文本与舞台的艺术价值。全文分三章，第一章论述了《荆钗记》的故事流变、创作原因、作者与版本等问题，第二章深入《荆钗记》文本，对王十朋、钱玉莲、孙汝权以及剧中其他主要人物的形象进行分析，并归纳总结了剧本的结构艺术与语言风格。第三章着眼于《荆钗记》的舞台传播，整理了《荆钗记》明清时期的演出记载、近代的演出记录以及在当代主要昆剧院团的演出概况。并以《见娘》、《开眼》、《上路》三出常演的经典折子戏为例，具体分析了《荆钗记》在昆曲舞台上的表演。最后，简要列举了《荆钗记》在其他地方戏中的剧本和演出情况。
[Abstract]:Jing Chai Ji is the first of the four major southern operas, which plays an important role in the history of the development of Southern Opera and the whole Chinese opera, and is popular with the audience. To this day, Jingchai Chronicles is still performed on the opera stage. This paper discusses the artistic value of its text and stage with Jing Ji Ji as the object of study. This paper is divided into three chapters. The first chapter discusses the story evolution, the reasons of creation, the author and the edition, etc. The second chapter goes deep into the text of Jing Ji Ji, including Wang Shipeng, Qian Yulian, and so on. Sun Ruquan and other main characters in the play are analyzed, and the structural art and language style of the play are summarized. The third chapter focuses on the stage spread of Jing Ji Ji, and arranges the performance records of Ming and Qing dynasties, modern performance records and the general situation of performances in the main Kunqu Opera troupes. Taking "see Niang", "Open eyes" and "on the Road" as an example, this paper analyzes the performance of Jingchai on the stage of Kunqu Opera. Finally, the script and performance of Jingchai in other places are briefly listed.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J805

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