建构、品味与身份认同-昆曲与高校学生戏迷

发布时间：2018-05-04 05:54

本文选题：昆曲 + 建构　；参考：《南京大学》2017年硕士论文

【摘要】：本研究讨论了高校学生如何将昆曲作为一种文化资本建构自身的身份认同。笔者深入戏院和校园调查半年,采用深度访谈与参与观察相结合的方法,观察喜爱昆曲的高校学生对其"高雅性"的建构,分析这种"高雅"对于该群体的日常生活而言意义何在。本文共分五章,第一章导言,介绍研究缘起,田野地点,理论背景、研究意义以及田野工作;第二章昆曲与高雅,论述历史上的雅文化、文化界的推动、"高雅"的舞台展现、戏迷眼中的"高雅";第三章场域与区隔,研究了昆盏堂与微信群两大场域与高校学生身份区隔的关系;第四章仪式感与认同,从人类学的角度研究了仪式感对人建构认同的功用,并讲述了三位昆虫与昆曲的故事;第五章为简短的结论。作为结语,本研究表明,高校学生和其他青年人对于戏曲市场,对于戏曲及其社会现象的研究而言,都是不容忽视的群体。一方面,对昆曲的热爱驱动了部分人对个人兴趣的定位和自身身份认同的建构。另一方面,在全球化的当下,传统远未消失,它依然有着强盛的生命力,尽管它是被当下所选择出来的传统。在高校里,这一传统的生命力通过学生对传统戏曲的爱好得以延续。这部分学生是最具有跨文化心态的一群人。概言之,本文希望通过将昆曲"高雅性"与高校学生的日常生活二者结合起来,展现他们借由建构与强化昆曲"高雅性"来重塑自己的日常生活,说明他们的精神文化消费如何与追求高雅的品味相契合,以及他们如何有意识地通过联系二者来维系边界,建构自身的文化身份认同。
[Abstract]:This study discusses how college students construct their identity by using Kunqu Opera as a kind of cultural capital. The author went deep into theatres and campuses for half a year, and used the method of combining in-depth interviews with participating observation to observe the construction of "elegance" of Kunqu Opera students in colleges and universities. Analyze the significance of this "elegance" to the daily life of the group. This paper is divided into five chapters. The first chapter introduces the origin of the study, the field location, the theoretical background, the significance of the research and field work, the second chapter, Kunqu Opera and elegance, discusses the history of elegant culture, the promotion of cultural circles, the stage of "elegant" show, The third chapter studies the relationship between Kun Zhangtang and WeChat group and the identity of college students. From the perspective of anthropology, this paper studies the function of ritual sense in the construction of human identity, and tells the stories of three insects and Kunqu Opera. Chapter five is a brief conclusion. As a conclusion, this study shows that college students and other young people are groups which can not be ignored in the study of opera market, drama and its social phenomena. On the one hand, the love of Kunqu Opera drives some people to position their interest and construct their own identity. On the other hand, in the present time of globalization, tradition is far from disappearing, it still has strong vitality, although it is the tradition chosen by the present. In colleges and universities, the vitality of this tradition can be continued through students' love of traditional opera. This part of the students is the most cross-cultural mentality of a group of people. In a word, this paper hopes that by combining the "elegance" of Kunqu Opera with the daily life of college students, they can reconstruct their daily life by constructing and strengthening the "elegance" of Kunqu Opera. It explains how their spiritual and cultural consumption fits with the pursuit of elegant taste, and how they consciously connect the two to maintain the boundary and construct their own cultural identity.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J82

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