恍如戏剧凭吊的修辞——“北京人艺”版《樱桃园》观后刍议

发布时间：2018-05-04 21:41

本文选题：北京人艺 + 戏剧学　；参考：《艺术评论》2016年08期

【摘要】：正前不久,笔者曾从《南方周末》上读到一篇文章,说"创业者要找对河流"。戏剧实践,于此亦别无二致。它的每一次舞台呈现,都是一次藉由假定,把心交给观众的真实倾诉。这种倾诉是一门技术,更是一门由特定的剧场空间进入心理空间,真诚地与观众沟通的情怀至上的艺术。因为戏剧,不只是戏剧家的表达方式,走进剧场也是观众精神生活的愉悦方式。近日,"北京人艺"上演的契诃夫名剧《樱桃园》(翻译:童道明、导演:李六
[Abstract]:Not long ago, I read an article in Southern weekend saying, "entrepreneurs need to find the right river." The practice of drama is no different. Each of its stage appearances, by assuming, gives its heart to the audience's true voice. This kind of talk is a technology, but also a special theater space into the psychological space, sincere communication with the audience feelings supreme art. Because drama, not just the expression of dramatists, entering the theater is also a happy way of spiritual life of the audience. Recently, Chekhov's famous Chekhov drama "Cherry Peach Garden" (translated by Tong Daoming, directed by Li Liu)
【分类号】：J804

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