威尔第歌剧《弄臣》男中音咏叹调的演唱特点

发布时间：2018-05-05 03:01

本文选题：歌剧《弄臣》 + 黎哥莱多　；参考：《东北师范大学》2010年硕士论文

【摘要】： 威尔第是意大利最伟大的作曲家之一,他把自己全部的热情都献给了歌剧事业,作为19世纪下半叶在歌剧创作领域最重要的作曲家之一,威尔第的歌剧受到了世界人民的喜爱。他在继承意大利歌剧传统的发展基础上,把歌剧推向了顶峰。威尔第认为意大利歌剧应沿着自己民族传统的道路前进,他的歌剧在剧情上充满着矛盾和戏剧性,他注重刻画人物心理,反映深刻的社会现象。他的歌剧以社会性的题材,人物形象和剧情的真实简单,旋律与剧情的紧密结合,歌唱的主体线条和起伏跌宕优美动人旋律而著称。他创作以民族民间音乐为基础,借鉴其他伟大的作曲家的经验,取得了丰硕的成果。他一生创作了二十六部歌剧,被誉为“歌剧之王”他的代表作有《茶花女》、《弄臣》、《阿依达》、《奥塞罗》、《唐·卡洛》等.威尔第把意大利歌剧推向了一个新的历史高峰,为推动世界歌剧艺术的发展和进步作出了巨大的贡献。在威尔第众多的歌剧作品中,《弄臣》作为最受欢迎的剧目之一,一直以来受到观众们的热烈欢迎,不仅仅因为《弄臣》中令人难忘的旋律,更使观众们难以忘怀的是剧中复杂多面的人物性格以及不断发展的矛盾冲突。本文从男中音人物角色黎哥莱多入手,对其人物性格、心理变化并结合剧情的发展,从一个人物角色的角度进行分析,对男中音声部的咏叹调作品在演唱特点上进行学习与掌握。
[Abstract]:Verdi is one of the greatest composers in Italy. He devoted all his enthusiasm to the opera. As one of the most important composers in the field of opera creation in the second half of the 19th century, Verdi's opera was loved by people all over the world. On the basis of inheriting the tradition of Italian opera, he pushed the opera to the top. Verdi believes that Italian opera should advance along its own national tradition, his opera is full of contradictions and drama in the plot, he focuses on portraying the characters psychology, reflecting the profound social phenomenon. His operas are famous for their social themes, the real simplicity of characters and plot, the close combination of melody and plot, the main lines of singing and the beautiful and moving melodies of ups and downs. On the basis of folk music, he drew lessons from the experience of other great composers and achieved fruitful results. He wrote 26 operas throughout his life, known as the King of Opera. His masterpieces include Camellia, Jetons, Aida, Othello, Don Carlo, and so on. Verdi pushed the Italian opera to a new historical peak and made great contributions to the development and progress of the world opera art. Among Verdi's many operas, as one of the most popular operas, Jester has always been warmly received by the audience, not only because of the memorable melody in Jetons, What the audience can not forget is the complex and multifaceted character of the play and the growing contradictions and conflicts. This article starts with the baritone character Rigoredo, analyzes the character character, psychological change and the development of the plot from the angle of a character character. The arias of baritone part are studied and mastered in singing characteristics.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

【引证文献】