运城市当代蒲剧发展调查研究(1970-2008)
发布时间:2018-05-06 14:25
本文选题:地方戏 + 运城市 ; 参考:《山西师范大学》2009年硕士论文
【摘要】: 运城是蒲剧最重要的发源地, 1970年运城和临汾行政区划分开后,在新中国戏曲改革的大背景之下,运城当代蒲剧的发展伴随着改革创新、精华糟粕、继承发展等等历史和理论问题,体现出比较鲜明的区域性和独特性。目前,运城市当代蒲剧发展研究虽然取得了一定的成绩,但是学术研究和实践演出发展不同步,对运城市当代蒲剧发展的整体调查和宏观研究还没有展开,全球化现状和当代史背景下的运城当代蒲剧发展的区域性特征有待于作进一步研究。本论文主要采用文献研究、实地考察、调查走访等研究方法,通过广泛收集蒲剧资料和深入分析比较,同时参考历史文献和其他相关学科的研究成果,借鉴科学的理论研究方法,将运城市1970年至2008年的当代蒲剧发展作为一个调查段落,认真梳理其间蒲剧在剧团、剧目、演员、演出、交流、研究等方面的曲折历程和发展经验,并试图把他纳入蒲剧发展甚至整个戏曲发展的历史进行观照,以求探索运城当代蒲剧作为艺术本体发展的内在规律和外部条件,以及在新的历史时期的价值和地位,探询其在社会政治、经济、文化生活中充当的角色和其演变的历史轨迹,挖掘蒲剧在其发源地运城这一特定区域发展演变的深层文化内涵,对运城市蒲剧传承和发展提供一些有益的思路和作法。
[Abstract]:Yuncheng is the most important birthplace of Puju opera. After the separation of Yuncheng and Linfen administrative divisions in 1970, under the background of traditional Chinese opera reform, the development of Yuncheng contemporary opera was accompanied by innovation, essence and dregs. Inheritance and development and other historical and theoretical issues, reflect a relatively distinct regional and unique. At present, although Yuncheng's research on the development of contemporary Puju has made some achievements, academic research and practical performances have not developed synchronously, and the overall investigation and macroscopic research on the development of Yuncheng's contemporary Puju have not been carried out. The present situation of globalization and the regional characteristics of Yuncheng's contemporary Puju under the background of contemporary history need to be further studied. This paper mainly adopts the research methods of literature research, field investigation, investigation and interview, and through extensive collection of data and in-depth analysis and comparison of Po drama, at the same time referring to historical literature and other related disciplines research results. Referring to the scientific theoretical research methods, this paper regards the development of contemporary Puju in Yuncheng from 1970 to 2008 as a paragraph of investigation, and carefully combs the tortuous course and development experience of Puju in the theatrical troupe, repertoire, actor, performance, communication, research and so on. And try to bring him into the history of the development of Puju, even the whole opera development, in order to explore the inner law and external conditions of the development of Yuncheng contemporary Puju, as well as the value and status in the new historical period. Probing into its role in social politics, economy and cultural life and the historical track of its evolution, excavating the deep cultural connotation of the development and evolution of Puju in its birthplace, Yuncheng, a specific region. To Yuncheng Puju inheritance and development to provide some useful ideas and practices.
【学位授予单位】:山西师范大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J825
【参考文献】
相关期刊论文 前10条
1 任重远;蒲剧演员从头到脚都是技[J];当代戏剧;1996年04期
2 朱文相;关于戏曲艺术发展的几点看法[J];当代戏剧;2000年04期
3 马元素;传统戏曲与现代传媒[J];大舞台;2003年03期
4 单总明,张发;突破程式束缚 回归戏曲本源——当代中国戏曲生存与发展之我见[J];甘肃社会科学;2004年03期
5 祝荣娟;;浅析戏曲在价值观念上的导向作用[J];剧影月报;2006年03期
6 张泽远,黄毅,于力,李亚彪;谁来满足庞大的文化市场需求[J];w挛胖芸,
本文编号:1852660
本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/1852660.html