戏曲服饰可舞性的研究

发布时间：2018-05-07 07:01

本文选题：戏曲服饰 + 可舞性　；参考：《南京航空航天大学》2010年硕士论文

【摘要】： 戏曲服饰的形式与表演中的舞蹈成份有着密切的关系,戏曲中的唱、念、做、打都离不开舞蹈身段。戏曲和舞蹈有着很深的亲缘关系,元代戏曲壁画、明刻本《荷花荡》等这些形象资料表明,戏曲服饰的可舞性,是随着戏曲表演中舞蹈化水平的不断提高而被逐渐凸显起来的。戏曲服饰的可舞性有助于生动塑造戏曲人物的外部形象;有利于揭示戏曲人物最能传神的本质特征,表现人物气质,外化人物心理和情绪;有助于演员的歌舞化表演,从而有助于增强舞蹈动作的表现力,增强戏曲表演中的舞蹈性。戏曲服饰可舞性的形式美表现为点的颤动、线的轨迹、面的宽松、体的增扩和面料的刚柔并济;而这些点、线、面、体、质的运用,促成了戏曲服饰的可舞性趋于多样化的发展。戏曲服饰的日益精美,是由于程式、装饰等构成要素随着外因而改变的结果,而这些变化,始终受到写意美学原则的总体支配。因而,尽管发生了种种变化和发展,戏曲服饰仍保持着程式性、可舞性的美学特征。随着时代的发展,戏曲的改革也致使戏曲服饰面临着革新。服饰的革新应该是基于传统,以程式思维为先导,遵循写意美学的原则,保持服饰的可舞性、程式性和装饰性的美学特征。然而,随着外来文化和市场经济的冲击,戏曲服饰在某些改革中保持美学特征方面做得欠妥,很多设计以革新为名,淡化了三南美学特征,削弱了戏曲服饰原有的艺术表现功能。戏曲服饰艺术正处于前所未有的艺术发展的交汇点上。
[Abstract]:The form of opera dress is closely related to the dance composition in the performance. The singing, reading, doing and playing in the opera can not be separated from the dance style. There is a deep relationship between opera and dance. These image materials, such as the frescoes of the Yuan Dynasty operas, the Ming inscription of Lotus Dang and so on, show that the dance ability of opera costumes is gradually highlighted with the continuous improvement of the level of dance in opera performances. The dance ability of opera dress is helpful to vividly portray the external image of the opera characters, to reveal the most vivid essential characteristics of the opera characters, to express the character temperament, to externalize the psychology and emotion of the characters, and to help the actors to sing and dance their performances. Thus, it helps to enhance the performance of dance movements and dance performance. The formal beauty of the dance of traditional Chinese opera dress is the quiver of the point, the track of the line, the looseness of the face, the enlargement of the body and the softness of the fabric; and the use of these points, lines, surfaces, bodies and quality, Contributed to the dance of opera costumes tend to diversify the development. The increasing fineness of traditional Chinese opera dress is the result of the change of composition such as formula and decoration with external factors, and these changes are always dominated by the aesthetic principles of freehand brushwork. Therefore, in spite of all kinds of changes and developments, opera costumes still maintain the aesthetic characteristics of formality and dance. Along with the development of the times, the reform of opera also causes the costume of opera to be innovated. The innovation of dress should be based on tradition, guided by program thinking, follow the principle of freehand brushwork aesthetics, and maintain the aesthetic characteristics of dance, programming and decoration. However, with the impact of foreign culture and market economy, traditional Chinese opera costumes have been poorly done in some reforms to maintain aesthetic characteristics. Many designs have played down the aesthetic characteristics of Sannan in the name of innovation. It weakens the original artistic expression function of opera dress. Opera costume art is at the intersection of unprecedented art development.
【学位授予单位】：南京航空航天大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J816

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