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《塞维利亚理发师》中音乐形象特征分析

发布时间:2018-05-07 23:37

  本文选题:歌剧 + 罗西尼 ; 参考:《河北师范大学》2011年硕士论文


【摘要】:歌剧作为一种高度集中了各类独立的艺术种类的综合的音乐艺术门类,虽然诞生在较晚的文艺复兴时期,但歌唱的这种角色表现形式出现的却是很早,从古希腊的“荷马时代”的史诗作品到“古典时代”的古希腊悲、喜剧都有音乐形象的展示。文中以伟大作曲家罗西尼的《塞维利亚理发师》作为范本,对整部歌剧的创作背景,创作意图,创作手法做以分析,体验歌剧中迷人的音乐形象与戏剧冲突。在具体的分析中,从文学作品的源头进入剖析,到歌剧脚本,再到歌剧的创作,力争析出歌剧中脍炙人口,动人心扉,久唱不衰的音乐形象的戏剧魅力与深刻的审美特征。在《塞维利亚理发师》中,序曲的激昂我们会亢奋,阿尔马维瓦伯爵的咏叹调我们会感觉到爱情的甜蜜,费加罗的咏叹调我们会心潮澎湃,罗西娜的谣唱曲我们会感到甜蜜与幸福。这就是音乐形象所带给我们的直观的震撼,作为有着非语义性的音乐艺术语汇,在时间的流动中,随着物理性的感性传播。以其特有的对于情感的抒发,对于情节的表达,在戏剧提供的空间架构上,在受众的心灵中让戏剧性充分展开,充实,扩展甚至升华,使歌剧的形象有血有肉,具备无论在任何文化背景与语言环境中的强大生命力。
[Abstract]:Opera, as a comprehensive category of musical art with a high concentration of all kinds of independent art types, was born in the late Renaissance period, but the expression of this kind of role in singing appeared very early. From the epic works of Homer Age in ancient Greece to the tragic Greek works in Classical Age, comedy has a musical image. Taking the great composer Rosini's Seville Barber as a model, this paper analyzes the background, intention and technique of the whole opera, and experiences the conflict between the charming musical image and the drama in the opera. In the concrete analysis, from the source of the literary works into the analysis, to the opera script, to the opera creation, strives to separate out the opera popular, the moving heart, the long-singing music image drama charm and the profound esthetic characteristic. In the barber of Seville, the excitement of the prelude will be high, the aria of count Armah Viva we will feel the sweetness of love, the aria of Figaro we will be filled with excitement. Rosina's ballad will make us feel sweet and happy. This is the intuitive shock brought to us by the music image, as a non-semantic musical art vocabulary, in the flow of time, with the physical perceptual dissemination. With its unique expression of emotion, the expression of plot, and the space provided by drama, the drama can be fully expanded, enriched, expanded and even sublimated in the hearts of the audience, so that the image of the opera has flesh and blood. Strong vitality in any cultural background and language environment.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J832

【参考文献】

相关期刊论文 前1条

1 林弥忠;《塞维里亚的理发师》和《费加罗的婚礼》中两个萝西娜的角色类型比较[J];黄钟(中国.武汉音乐学院学报);2003年04期



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