东欧新马克思主义歌剧合法性阐释

发布时间：2018-05-08 06:29

  本文选题：东欧新马克思主义 + 歌剧　； 参考：《社会科学家》2016年01期

【摘要】：东欧新马克思主义包含着丰富而深刻的音乐美学思想,其不仅涉及音乐伦理学批评和理性化音乐理论批判,还对音乐样式尤其歌剧样式进行思考,实现了理论建构与文本分析实践的结合,重新建构了历史与形式的结合,确立了歌剧诗学与歌剧阐释学的思路,从而为歌剧样式奠定了合法性的基础。东欧新马克思主义者试图在后现代人类存在条件下寻找音乐样式的可能性,在批判极端后现代主义基础上确立现代性与后现代性的相关性,从而探寻基于人的自由选择基础上的多元主义音乐理论。
[Abstract]:New Marxism in Eastern Europe contains rich and profound aesthetic thoughts of music, which not only involve the criticism of music ethics and the criticism of rational music theory, but also reflect on the musical style, especially the opera style. It realizes the combination of theory construction and text analysis practice, reconstructs the combination of history and form, establishes the train of thought of opera poetics and opera hermeneutics, thus laying the foundation of the legitimacy of opera style. The Neo-Marxists in Eastern Europe tried to find the possibility of musical style under the condition of postmodern human existence, and established the correlation between modernity and post-modernity on the basis of criticizing extreme post-modernism. In order to explore the basis of free choice of people on the basis of pluralistic music theory.
【作者单位】： 四川大学文学与新闻学院;
【基金】：国家社科基金重大项目“东欧马克思主义美学文献整理与研究”(项目编号:15ZDB022)阶段性成果
【分类号】：J832;J617.2
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本文编号：1860323