国外复辟喜剧研究的流变

发布时间：2018-05-08 11:14

  本文选题：复辟喜剧 + 不道德　； 参考：《戏剧(中央戏剧学院学报)》2017年05期

【摘要】：通过详细梳理国外学者对复辟喜剧三个世纪的研究,本文认为围绕复辟喜剧是否具有道德教诲,早期学者进行了长时间的争论;20世纪后,随着现代批评理论的出现,道德教诲不再成为研究的焦点,学者们从多方面揭示复辟喜剧的艺术魅力。从17世纪到20世纪,复辟喜剧研究大致实现了五次转向:1.用现实主义和风俗论反驳复辟喜剧"不道德"的指责;2.侧重浪漫主义逃离论的研究;3.历史主义批评;4.现代理论研究;5.戏剧表演学研究。总体来说,国外对复辟喜剧的研究已由松散的印象式批评步入专业化的学术批评。
[Abstract]:Through a detailed review of the foreign scholars' researches on the comedies in the past three centuries, this paper argues that the early scholars debated for a long time whether the comedies had moral education or not. After the 20th century, with the emergence of modern critical theory, Moral education is no longer the focus of research. Scholars reveal the artistic charm of comedies in many ways. From the 17 th century to the 20 th century, the study of restorative comedy turned to: 1 on the whole five times. Use realism and custom theory to refute the criticism of "immorality" in the reinstatement comedy. The study of Romantic escape Theory. Historicism criticism. Modern theoretical research. The study of theatrical performance. In general, the foreign research on comedies has changed from loose impression criticism to professional academic criticism.
【作者单位】： 湖南师范大学外国语学院;
【分类号】：I106.3;J809.1
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本文编号：1861167