京剧京胡伴奏与流派研究

发布时间：2018-05-11 20:09

本文选题：京胡 + 京胡伴奏　；参考：《中国艺术研究院》2012年硕士论文

【摘要】：京胡是京剧乐队中的主奏乐器,是“皮黄”音乐的代表乐器,它伴着“皮黄腔’的逐渐形成而发展起来,更与京剧有着不解之缘。而京剧的历史就是各种流派竞争发展的历史,流派的形成对于京剧发展起了重要的推动作用,同样流派的发展也始终离不开京胡。本文以京胡伴奏为主要对象,首先梳理京胡的起源发展及其在乐队中的核心地位和主导作用,其次以流派艺术为中心,分别论述流派的缘起、内涵、形成要素,以及梳理对流派风格形成有重要贡献的琴师及其伴奏特点。在此基础上进一步论述京胡伴奏与流派之间的关系；琴师的主观能动性的发挥以及琴师在流派伴奏中个人风格的融入等方面。通过研究揭示京胡伴奏与流派艺术之间的内在关联,探究京胡伴奏对于流派艺术形成发展的推动和影响以及二者的相互作用等。
[Abstract]:Jinghu is the main musical instrument in Beijing Opera band and the representative musical instrument of Pei Huang music. It develops along with the gradual formation of "Pei Huang Song", and has an inextricable relationship with Peking Opera. The history of Peking Opera is the history of the development of various schools of competition, the formation of schools of Beijing Opera play an important role in promoting the development of the same school has always been inseparable from the development of Beijing Hu. This article takes the Beijing Hu accompaniment as the main object, firstly combs the origin and development of Beijing Hu and its core position and leading role in the band, and then takes the school art as the center, respectively discusses the origin, the connotation and the forming elements of the school. And combing the formation of genre style has important contribution to the piano and its accompaniment characteristics. On this basis, this paper further discusses the relationship between Jinghu accompaniment and schools, the exertion of the pianist's subjective initiative and the integration of his personal style in the genre accompaniment. Through the study of the internal relationship between Beijing Hu accompaniment and genre art, this paper probes into the promotion and influence of Beijing Hu accompaniment on the formation and development of school art and the interaction between the two.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J617.14;J821

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