移步换景:论新媒体语境下当代戏曲观演关系的发展

发布时间：2018-05-14 07:23

本文选题：戏曲舞台 + 新媒体技术　；参考：《戏曲艺术》2015年03期

【摘要】：在当今数字媒体时代,新媒体技术在戏曲舞台中的运用更加深入和多样化。新媒体技术作为新的戏曲舞台元素,在与传统戏曲舞台美术不断融合与冲突中,碰撞出了新的戏曲舞台审美理念。观众审美心理在新媒体数字时期发生的变化,既要求打破传统戏曲原有的观演关系,关注观众的参与性、互动性,又要求戏曲舞台艺术在创新的道路上不断汲取传统之精华,运用现代技术,不断寻求更新创作理念。戏曲艺术不可否认是演员表演的艺术,如何使用现代新媒体技术使之更加大放异彩又不与现代文化市场相脱离,是在进行戏曲舞台创作时需要关注的问题。本文从当代新媒体语境下,从新的舞台形式对改善戏曲观演关系的影响谈起,展望戏曲艺术在未来大众文化生活中的发展。
[Abstract]:In the age of digital media, the application of new media technology in the stage of drama is more thorough and diversified. As a new stage element, the new media technology collides with the traditional stage art in the process of fusion and conflict, resulting in a new aesthetic concept of the opera stage. The changes of audience aesthetic psychology in the digital period of new media not only require breaking the original relationship of traditional opera, paying attention to the participation and interactivity of the audience, but also requiring the stage art of opera to absorb the essence of tradition on the way of innovation. Use modern technology, constantly seek to update creative ideas. It is undeniable that the art of opera is the art of performing by actors. How to use modern new media technology to make it more brilliant and not separate from the modern cultural market is a problem that needs to be paid attention to in the stage creation of traditional Chinese opera. In the context of contemporary new media, this paper discusses the influence of the new stage form on improving the relationship between the view and performance of opera, and looks forward to the development of opera art in the future mass cultural life.
【作者单位】：中国戏曲学院新媒体艺术系;
【基金】：2013年北京科技面上项目《戏曲艺术虚拟化研究》成果,编号:KM0130049001
【分类号】：J805

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