戏至美,艺无痕——上海戏剧学院教授、著名导演卢昂访谈

发布时间：2018-05-15 18:14

本文选题：豫剧 + 淮剧　；参考：《四川戏剧》2017年10期

【摘要】：正一、治学态度:厚积薄发博学敏锐邓添天:卢昂教授您好。感谢您抽空接受访谈。今天,我们想就您的探学经历、导演志趣、导演方略以及导演风格定位依次展开,望不吝赐教。第一个问题。据我感知,对于戏剧,您从艺这30年,总有种"不畏浮云遮望眼,只想攀越更高层"的狠劲,每导一个戏,总能从整体反观局部,从大处思量细部,梨园戏、越剧、豫剧、滇剧、秦腔、沪剧、淮剧、黄梅戏……样样切换自如,熨帖稳妥。而且我听说,豫剧《红果,红了》是您导的第一部戏曲,刚一试手,就在稳健中
[Abstract]:Zheng one, academic attitude: thick and thin hair erudite acumen Deng Tiantian: professor Luang hello. Thank you for your time for the interview. Today, we would like to explore your experience, director interest, director strategy and director style orientation in turn, hope to give advice. The first question. As far as I know, for the drama, you have always had the ruthlessness of "not afraid of floating clouds to cover your eyes, just want to climb higher levels" from the 30 years of art. Every time you lead a play, you can always look at parts from the overall perspective, and consider the details from the big place, Li Yuan Opera, Yue Opera, Henan Opera. Yunnan Opera, Qin Opera, Shanghai Opera, Huai Opera, Huangmei Opera. Everything is freely switched and ironed safely. And I heard that Henan Opera "Red Fruit, Red" is your first drama, just a try, in the steady
【作者单位】：上海戏剧学院导演系;上海戏剧家协会;四川省文化厅剧目工作室《戏剧家》编辑部;
【分类号】：J811

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