论歌剧《爱的甘醇》中男高音咏叹调的情感表现与运用

发布时间：2018-05-17 13:45

本文选题：《爱的甘淳》 + 演唱处理　；参考：《云南艺术学院》2017年硕士论文

【摘要】：《爱的甘淳》是由多尼采蒂创作的意大利喜歌剧,自从它被创作之后,基本上所有的世界著名男高音都演唱过这首作品。在国外的学术领域,对多尼采蒂的喜歌剧创作已经有了较为系统和全面的研究。伴随着西方音乐的传播和发展,歌剧也在上个世纪进入了中国艺术的视界中来,在中国的歌剧领域,也逐渐开始有丰硕的研究成果。不过就目前笔者检索的结果来看,对《爱的甘淳》的研究偏少,大多数的学术研究将重心集中在多尼采蒂或者浪漫主义歌剧风格上,尤其是针对《爱的甘淳》中具体咏叹调《偷洒一滴泪》和《多么可爱,多么美丽》中展开细致分析和研究的更是凤毛麟角,即使是有所涉猎,也是比较剪短的评论,并没有展开较为详尽的论述。本文以喜歌剧《爱的甘淳》中《偷洒一滴泪》和《多么可爱,多么美丽》为研究对象,对其中的作品做了音乐形态上的大致分析,同时结合了笔者的演唱经验和大师们的演唱版本,对演唱的情感表现方便作了较为细致的阐述。其中文章的绪论部分,包括主要包括选题原因、研究对象、研究方法和创新点四个方面内容。第一章《多么可爱,多么美丽》与《偷撒一滴泪》音乐本体分析,先介绍《偷洒一滴泪》这个咏叹调在剧中的演唱背景,而后对作品本体包括旋律旋法、调式调性、曲式结构、伴奏织体等方面做详细的分析。第二章《多么可爱,多么美丽》与《偷撒一滴泪》的演唱感情处理。第三章《多么可爱,多么美丽》与《偷撒一滴泪》经典演唱版本分析,就国外经典版本演唱者的背景简介、诠释意义等方面做介绍。
[Abstract]:Gan Chun of Love is an Italian opera by Donizetti. Since its creation, almost all the world famous tenors have sung it. In the foreign academic field, Donizetti's opera creation has been more systematic and comprehensive research. With the spread and development of western music, opera has entered the horizon of Chinese art in the last century. However, as far as the results of the author's search are concerned, there are few studies on "Gan Chun of Love". Most of the academic research has focused on the style of Donizetti or Romantic operas. In particular, according to the specific aria of "Love's Gan Chun" and "how lovely and beautiful" and "how lovely" and "how lovely, how beautiful" detailed analysis and research are carried out, even if there is something to dabble in, it is also a relatively short comment. There is no more detailed discussion. In this paper, the author makes a general analysis of the music form of the works in the happy opera Gan Chun of Love, "stealing a tear" and "how lovely, how beautiful" as the research object. At the same time, combined with the author's singing experience and the master's singing version, the emotional performance of singing is described in detail. The introduction of the article includes four aspects: the reason of selecting the topic, the research object, the research method and the innovation. The first chapter, "how lovely, how beautiful" and "stealing a tear" music Noumenon analysis, first introduced the arias singing background in the play, and then to the work Noumenon including melodic rotation, tonal, musical structure, The accompaniment texture and other aspects of the detailed analysis. Chapter two, "how lovely, how beautiful" and "steal a tear" of the singing feelings. The third chapter, "how lovely, how beautiful" and "stealing a tear" classic singing version analysis, the introduction of the foreign classical version of the singer's background, interpretation of the significance and other aspects of the introduction.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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