山东柳子戏音乐文化研究

发布时间：2018-05-17 21:56

本文选题：柳子戏 + 多样性　；参考：《福建师范大学》2009年博士论文

【摘要】：柳子戏中蕴涵着山东的音乐文化、地理文化、方言文化、运河文化、《金瓶梅》文化等,柳子戏的发展过程是其与多种文化之间的互动过程。以山东方言演唱的柳子戏分布在运河流域的鲁东南、鲁西、鲁西南等地区,其分布区域呈现出多样性的生态,这种多样性表现在音乐风格色彩的多样性、传承的多样性、曲牌包含量的多样性、剧目演唱不同的多样性,依此试图求证柳子戏分布区域之鲁东南的原始型、鲁西的中间型、鲁西南的发展型的生成态势。柳子戏音乐的曲牌唱腔是多层次构成的,从曲牌的音乐形态特点论证鲁东南地区的柳子戏唱腔有着最为里层的音乐遗存,鲁西既有鲁东南的特点又有向鲁西南靠近的中层遗存,鲁西南唱腔与其他两地相比最为丰富,属“集思广益”型的外层呈现。柳子戏与山东民歌、曲艺、器乐、戏曲等本土的艺术形式有着千丝万缕的联系,由民歌小调发展而来的柳子戏与小曲、俚曲等民歌息息相关;柳子戏派生出多种山东曲艺音乐,如“莺歌柳书”、“山东琴书”等;柳子戏与山东戏曲中的弦索系统联系最为紧密,其次是肘鼓子系统,与梆子系统联系最少。运河文化哺育了柳子戏,柳子戏丰富了运河文化,两者是一个不能分开的整体。沿运河流动的戏班、移民是柳子戏曲牌流动的主要载体,运河是柳子戏吸纳客腔曲牌的交流平台。不同的运河区域在剧本上、唱腔上存在着文风昌郁、崇武尚义的柳子戏特点。明清市井小说《金瓶梅》的故事发生在运河河畔,书中人物所演唱的曲牌与柳子戏曲牌关系紧密,两者是在同样的时间、同样的文化区域内,使用相同的伴奏乐器,唱同名的俗曲与戏曲,所以《金瓶梅》记录了柳子戏曲牌发展之踪迹,柳子戏活化了明代《金瓶梅》书中所写之妙曲。
[Abstract]:Liuzi Opera contains Shandong's music culture, geographical culture, dialect culture, canal culture, Jin Ping Mei culture and so on. The development process of Liu Zi Opera is the interactive process between Liu Zi Opera and various cultures. The liuzi opera, sung in Shandong dialect, is distributed in the southeast of Shandong and southwest of Shandong in the canal basin. Its distribution shows a variety of ecology, which is manifested in the diversity of music style and color, the diversity of inheritance, etc. Based on the diversity of qu bag content and the variety of repertoire singing, this paper attempts to verify the original type of Liuzi opera distribution area, the middle type of Luxi, and the developing trend of development type of southwest Shandong. The music of Liu Zi Opera is composed of multiple levels. From the characteristics of the music form of qu cards, it is proved that the liuzi opera in southeast Shandong has the most inner layer of music remains, and the west of Luxi has both the characteristics of the southeast of Lu and the middle layer which is close to the southwest of Shandong. Compared with other places, southwest Shandong singing is the most abundant, belonging to the "brainstorming" of the outer layer. Liu Zi Opera is inextricably linked to local art forms such as Shandong folk songs, quyi, instrumental music, opera and so on. Liu Zi Opera, developed from folk songs in minor, is closely related to folk songs, such as folk songs, slang songs, and other folk songs. Liu Zi Opera has derived many kinds of Shandong quyi music. Such as "Yingge Liu Shu", "Shandong Qin Book" and so on, Liuzi opera and Shandong opera in the string system is most closely linked, followed by elbow drum subsystem, and Bangzi system is the least. The canal culture nurtured the Liu Zi Opera, which enriched the canal culture. The opera troupe flowing along the canal, immigration is the main carrier of Liu Zi Opera qu flow, the canal is the communication platform for Liu Zi Opera to absorb the guest tune card. In the different canal area, there are the features of Liu Zi Opera in singing style and Chongwu Shangyi. The story of Jin Ping Mei, a street novel in the Ming and Qing dynasties, takes place on the banks of the Canal River. The songs performed by the characters in the book are closely related to the songs of the Liuzi Opera. Both of them use the same accompaniment instruments at the same time and in the same cultural area. Singing folk songs and operas of the same name, Jin Ping Mei records the development of Liu Zi Opera, and Liu Zi Opera activates the wonderful songs written in Jin Ping Mei Book of Ming Dynasty.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J825

【引证文献】