戏剧中的道具魅力——日本传统戏剧“能剧”中的面具造型艺术研究

发布时间：2018-05-20 10:58

本文选题：能剧面具 + 演技　；参考：《戏剧文学》2017年10期

【摘要】：日本著名的传统戏剧"能剧"中的面具艺术,无论从美术品还是工艺品的价值来讲都是属于最高级别的,从戏剧上来讲又是演员的表演道具。能剧是日本江户时代在贵族中行乐用的戏剧,如果从面具艺术价值的角度来讲,由于战争、火灾等多种因素,优秀面具的存世已经很少了,我们现在只能从博物馆的藏品中还可以看到若干优秀的面具。对这些面具进行研究后可以看到制作者的认真态度和技术。这种面具作为日本能剧中的道具,是演员展现内心深处的代表,由演员的演技寄托到面具上,同时又由面具上的造型气氛传达给观众,这种互动关系正是能剧或者说是欣赏能剧时所展现出的最大魅力。如果把面具作为日常的室内摆式时,那么这些面具是静止的,或者说是没有生命力的,但是,一旦面具作为演员用于表演的道具时其价值和生命力就完全不同了。
[Abstract]:The mask art in the famous Japanese traditional drama "Nengju" belongs to the highest level in terms of the value of art and handicrafts, and is also the actor's acting props in drama. Neng Opera is a play used by the aristocrats in the Japanese Edo era. From the point of view of the artistic value of masks, because of various factors, such as war, fire and so on, the existence of excellent masks has been few in the world. We can only see some excellent masks in the museum's collection today. After studying these masks, we can see the serious attitude and skill of the producers. This kind of mask, as a props in the Japanese drama, is the representative of the actors who show their inner hearts. The actors' acting skills are placed on the mask, and at the same time, the atmosphere of the modelling on the mask is conveyed to the audience. This kind of interaction is the greatest charm that can be shown in drama, or in appreciating it. The masks are still, or lifeless, if they are used as everyday indoor pendants, but once they are used as props for an actor's performance, their value and vitality are completely different.
【作者单位】：上海应用技术大学艺术与设计学院;
【分类号】：J814.2

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