我国小剧场戏剧演出中的“假定性”

发布时间：2018-05-22 08:31

本文选题：小剧场 + 戏剧演出　；参考：《吉林艺术学院》2012年硕士论文

【摘要】：我国的小剧场是戏剧的梦工厂，它经历了20多年风雨的洗礼，从80年代的应运而生，到九十年代小剧场戏剧的商业化，再到新时期多样化格局的出现，回首这20多年小剧场话剧的前尘往事，其发展成长的轨迹还清晰可见。本世纪末的二十几年，是改革开放的历史新时期。随着人们生活方式的改变，我国的话剧也逐步走向没落。中国传统戏曲和布莱希特所强调的戏剧“假定性”观念，成了实验和探索中国小剧场话剧的一面崭新的旗帜。“假定性”乃是所有艺术所固有的本性。在小剧场戏剧演出中表现尤为突出。它通过外部以及内部表现的形式营构了戏剧特殊的结构；成就了戏剧的情节；实现了戏剧舞台的“虚实相生”。在新时期下我们要重新树立戏剧的魅力，将观演关系在空间与心理上进行重构，在表演风格上进行不断创新。
[Abstract]:The small theater in our country is the dream factory of drama, it has experienced the baptism of wind and rain for more than 20 years, from the emergence of the times in the 1980s, to the commercialization of the drama of the small theater in the 1990s, to the emergence of diversified patterns in the new period. Looking back on the past 20 years of small theater drama, the track of its development and growth is clearly visible. The twenty-odd years at the end of this century are a new historical period of reform and opening up. With the change of people's way of life, the drama of our country is gradually declining. The traditional Chinese opera and the "hypothetical" concept of drama emphasized by Brecht have become a brand new banner for the experiment and exploration of Chinese small theater drama. Hypocrisy is the inherent nature of all art. In the small theater drama performance is particularly outstanding. It constructs the special structure of drama through the forms of external and internal expression, accomplishes the plot of drama, and realizes the "void and reality" of the theatrical stage. In the new period, we should re-establish the charm of drama, reconstruct the relationship between watching and acting in space and psychology, and innovate continuously in acting style.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J812

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