“末脚”职能的生成及演化——从“末脚”的衰微谈起

发布时间：2018-05-23 11:45

本文选题：末脚 + 副末　；参考：《戏剧艺术》2014年06期

【摘要】："末脚"是戏曲行当体系中最特殊的部分。前人的"末脚"研究多集中于其起源,但因材料匮乏而聚讼纷纭,而且甚少注意到清末以来"末脚"在京昆等主流剧种中绝迹这一现象。本文从"末脚"的衰微入手,从戏班与剧本两个层面考察其主要职能:戏班中的领导者,剧本中的指挥者。"末脚"衰微的实质是其"领导权"的丧失。本文运用中国艺术"模块化"和"规模化"生产的理论,揭示高度分工的脚色体制是"末脚"领导职能生成的深层原因,并认为这导致南戏中"末"的名目(象征戏班领导权)从主演(杂剧中的末泥)过渡到了调度者(杂剧中的引戏)身上。文人传奇将其化为"代曲家立言"的特殊脚色,使剧本中的"末脚"与戏班中的"副末"分离,后者取代前者成为领班脚色。
[Abstract]:The last foot is the most special part of the opera line system. Previous researches on the "end foot" mostly focused on its origin, but there were many disputes due to the lack of materials, and little attention was paid to the phenomenon that the "end foot" had disappeared in the mainstream operas such as Beijing and Kunming since the late Qing Dynasty. This article starts with the decline of the Last foot and examines its main functions from two aspects: the leader in the stage and the conductor in the script. The essence of the decline of the late foot is the loss of its "leadership". Based on the theory of "modularization" and "large-scale" production in Chinese art, this paper reveals that the role system of high division of labor is the deep reason for the formation of the leading function of "late foot". It is believed that the title of "the end" in the Southern Opera (symbolizing the leadership of the opera) has transitioned from the leading role (the last mud in the drama) to the dispatcher (the introduction of the drama). The literati legend changed it into a special role of "standing words on behalf of the songwriter", which separated the "last foot" in the script from the "secondary end" in the drama, which replaced the former as the foreman's role.
【作者单位】：武汉大学;
【分类号】：J809.2

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