古代戏曲理论中戏曲史述的逻辑演进及学术特征

发布时间：2018-05-23 13:56

本文选题：古代戏曲理论体系 + 戏曲史述　；参考：《戏剧艺术》2017年04期

【摘要】：在"曲学"大行其道之时,戏曲史述被简化为曲史述;伴随戏曲作为叙事文学样式和综合艺术样式这两种观念的渐次清晰,"叙事理论体系"和"剧学体系"逐步形成,戏曲题材沿革和历代演剧更迭的梳理开始出现。同时,作为舞台艺术之戏曲的部分要素的流变也获得专门关注。古代戏曲理论中的戏曲史述具有零散驳杂、不成体系和陈陈相因、粗线勾勒的学术特征。古人戏曲史述历史对象的多样性有助于全面认识戏曲的本体内涵,而单一维度史述为后世戏曲史研究的纵深拓展提供了方向性指导。此外,历代舞台演剧更迭的勾勒对现代形态戏曲史著的述史思路设计也具有启发意义。
[Abstract]:When "qu studies" became popular, the history of opera was simplified into historical narration, and with the gradual clarity of the two concepts of "narrative literature style" and "comprehensive artistic style", the "narrative theory system" and "drama theory system" gradually formed. The evolution of opera theme and the combing of successive operas began to appear. At the same time, as a part of the stage art of the evolution of opera also received special attention. The history of opera in the ancient opera theory has the academic characteristics of scattered and complicated, not systematic and Chen Xiangyin, rough line outline. The diversity of the historical objects of the ancient opera history is helpful to fully understand the Noumenon connotation of the opera, while the single dimension of historical narration provides a directional guidance for the further development of the study of the history of opera in later generations. In addition, the outline of stage operas in the past dynasties is also instructive to the design of the history of modern forms of drama.
【作者单位】：上海戏剧学院戏剧与影视学博士后流动站;
【分类号】：J809.2

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