秦腔文化景观及其感知与认同研究

发布时间：2018-05-23 15:03

  本文选题：秦腔 + 地域分布　； 参考：《西北大学》2017年硕士论文

【摘要】：基于文化地理学、秦腔文化景观的研究现状,结合地理学、文化学、历史学等学科理论与方法,主要采用空间分析、文献梳理、质性研究、访谈调查等方法对秦腔进行文化景观地域特征及其感知与认同研究。文章整体研究内容是将新旧文化地理学的研究热点相结合,开篇即对秦腔文化景观要素进行分析,将秦腔划分为视觉文化要素、听觉文化要素和意象情感要素三大类,秦腔视觉文化要素包括:秦腔表演、服饰、化妆与脸谱和舞台布景四个方面;听觉文化要素包括音乐、剧目两个方面;意象情感要素则指的是秦腔对于秦人所产生的情感意义,寻找秦人对秦腔的情感依恋与文化认同。在分析文化景观的基础上,获取文化消费者主要的感知对象。文章第三章节延续了传统文化地理学研究热点,探讨了秦腔文化的发展过程、戏曲艺术特色等方面形成的环境背景,进而阐述秦腔文化景观与地理环境之间的关系;在宏观尺度上探讨了秦腔文化的地域分布、文化扩散、文化区、文化生态以及地方剧种间的文化整合等。第四章节则选取新文化地理学视角,基于易俗社、陕西省戏曲研究院两家秦腔演艺团体,从文化微空间角度探索文化消费者对秦腔实体空间、文化空间与空间主体的感知与认同,从而构建秦腔生产者、经营者、消费者之间形成的文化共同体。
[Abstract]:Based on the present situation of cultural geography and cultural landscape of Qin cavity, combined with the theories and methods of geography, culturology, history and so on, it mainly adopts spatial analysis, literature combing, qualitative research, etc. The cultural landscape regional characteristics, perception and identity of Qin Opera were studied by interview investigation and other methods. The whole research content of this paper is to combine the research focus of the new and old cultural geography, the first part is to analyze the cultural landscape elements of Qin cavity, and the Qin cavity is divided into three categories: visual cultural elements, auditory cultural elements and imagery emotional elements. The visual and cultural elements of Qin Opera include: Qin Opera performance, costumes, makeup and facial makeup and stage setting; auditory cultural elements include music and plays; image emotional elements refer to the emotional significance of Qin Opera for Qin people. Looking for Qin people's emotional attachment and cultural identity to Qin Opera. Based on the analysis of cultural landscape, the main perception objects of cultural consumers are obtained. The third chapter of the article has continued the traditional cultural geography research hot spot, has discussed the Qin cavity culture development process, the opera art characteristic and so on aspect formation environment background, then elaborated the Qin cavity cultural landscape and the geographical environment relations; On the macro scale, this paper probes into the regional distribution, cultural diffusion, cultural zone, cultural ecology and cultural integration among local operas. The fourth chapter selects the new cultural geography angle of view, based on the change custom society, Shaanxi opera academy two Qin Opera performing arts group, from the cultural micro-space angle to explore the cultural consumer to Qin cavity entity space, The perception and identification of cultural space and the subject of space, thus constructing the cultural community formed between producers, operators and consumers of Qin cavity.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825
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本文编号：1925250