歌剧《阿依达》中两位“公主”的音乐形象塑造

发布时间：2018-05-25 04:13

本文选题：威尔第 + 音乐形象　；参考：《哈尔滨师范大学》2012年硕士论文

【摘要】：威尔第作为歌剧大师留给我们一系列不朽的歌剧作品和经典不衰的歌剧人物。直至今天，威尔第的歌剧作品在全国各地仍具有较高的上演率，并赢得越来越多的观众喜爱。《阿依达》是威尔第不朽的杰作，剧中蕴含着扣人心弦的矛盾冲突和复杂多变的人物特点。然而，，这些特点在剧中两位“公主”的身上展现的淋漓尽致。所以，本文以歌剧中的两位“公主”为主要研究对象，通过对主要人物音乐形象的细致分析，了解作曲家威尔第是如何用音乐来塑造形象、表现情感和展开剧情的。通过对《阿依达》中两位“公主”音乐形象的细致分析，进而折射出作曲家威尔第的不朽歌剧魅力。这不仅对我以后的演唱、表演做好扎实的案头工作，同时也对我以后的声乐教学起到指导性的意义。本文分为四个章节。第一章首先介绍本文的研究目的意义、国内外研究现状及研究路径和方法。第二章从作曲家威尔第和《阿依达》的创作历程、剧情介绍三个部分进行了较为全面的阐述。第三章是本文的研究重点，本章主要从音乐的角度出发按照每一幕的剧情进展分别把两位“公主”的音乐进行细致分析，探析威尔第是如何将她们刻画成公主、女人、女仆及悲剧的音乐形象。二重唱《爱情与烦恼》是两位“公主”矛盾冲突的最高点，表现了她们多方面的复杂心境，是集中体现她们戏剧性矛盾冲突的重要唱段。所以，本章又对两位“公主”的二重唱进行了详尽的分析，以期更加全面、深刻、准确的把握两位“公主”的音乐形象。第四章将两位“公主”的音乐形象贯穿到整部歌剧中，从人物音乐形象塑造的角度研究威尔第的歌剧魅力所在。
[Abstract]:Verdi as an opera master left us a series of immortal opera works and classic opera characters. To this day, Verdi's operas still have a high rate of performance throughout the country, and have won more and more audience affection. [Aida] is Verdi's immortal masterpiece. The play contains gripping conflicts and complex characters. However, these features are vividly displayed on the two princesses in the play. Therefore, this article takes the two "princesses" in the opera as the main research object, through the careful analysis to the main character music image, understands how composer Verdi uses the music to mold the image, the expression emotion and the plot. Through the careful analysis of the musical images of the two "princesses" in Aida, the immortal opera charm of composer Verdi is reflected. This will not only do a solid desk work for my later singing and performance, but also play a guiding role in my vocal music teaching. This paper is divided into four chapters. In the first chapter, the purpose and significance of this paper, the current research situation, the research path and methods are introduced. In the second chapter, the writer introduces the three parts of Verdi and Aida. The third chapter is the focus of this paper, this chapter mainly from the point of view of music according to the plot of each scene of the two "Princess" of the detailed analysis of the music, to explore how Wildi portrays them as princesses, women, Maid and tragic musical image. The duet "Love and annoyance" is the highest point of the contradiction and conflict between the two "princesses", which shows their complex mood in many aspects and is an important choreography that embodies their dramatic contradiction and conflict. Therefore, this chapter makes a detailed analysis of the duets of the two princesses in order to grasp their musical images more comprehensively, profoundly and accurately. In the fourth chapter, the musical images of the two princesses are penetrated into the whole opera, and the charm of Verdi's opera is studied from the angle of portraying the characters' musical images.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832

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