二人转为什么会出现一个丑角

发布时间：2018-05-29 10:55

本文选题：创世神话 + 东北二人转　；参考：《戏剧文学》2015年01期

【摘要】：正二人转为什么要特别创造出一个丑角呢?过去我们对这个问题思考不够。我们虽然强调了丑角的特别艺术魅力,但是,由于我们并没有在二人转体裁史中去理解丑角,因而,我们就没有真正把握到丑角的根本意义。丑角的出现是二人转体裁被淡化的时候,对二人转意象的特别强化。丑角不是在二人转从东北大秧歌中独立出来后产生的,丑角的雏形产生于大秧歌之中。是大秧歌为了强化二人转意象对关内戏曲丑角的借鉴而产生的。大秧歌先是借鉴
[Abstract]:Why do you want to create a clown? In the past we didn't think much about the problem. Although we emphasize the special artistic charm of the clown, but because we did not understand the clown in the history of Errenzhuan genre, we did not really grasp the fundamental significance of the clown. The appearance of clown is when the genre of Errenzhuan is desalinated, and the image of Errenzhuan is especially strengthened. The clown did not come into being after the independence of Errenzhuan from the northeast Yangko, and the clown's embryonic form came into being in the Yangko. In order to strengthen the image of the two people turn to the clown of Guan Nai opera produced by Yangko. Big Yangge first draw lessons from
【作者单位】：吉林师范大学文学院;
【基金】：吉林省社科项目“传统二人转表演形式研究”,项目编号2014B146
【分类号】：J825

【共引文献】