嗨子戏的历史发展与改进

发布时间：2018-05-29 12:31

本文选题：嗨子戏 + 传统　；参考：《浙江师范大学》2012年硕士论文

【摘要】：嗨子戏,约一百多年前产生于安徽阜南地区,它以浓郁的生活气息、通俗易懂的安徽方言以及深厚的群众基础,迅猛发展为阜阳地方戏曲音乐百花园中的一枝奇葩。阜南的嗨子戏以其独特的润腔特色引人注目。无论是从流行地域,还是演出形式上看,阜南嗨子戏都具有鲜明的独创性和无可替代的唯一性。本文通过田野调查、文献资料法、分析综合等科学的研究方法,结合嗨子戏的产生和发展背景,以及艺术本体元素,以嗨子戏的发声特点、演唱技巧和润腔特色为切入点,力求对嗨子戏的润腔特色进行深入研究和探索,寻找出有价值的技巧和经验,期待能对当代中国民族声乐演唱给予更多启示；同时嗨子戏也受到当代中国民族声乐的影响,随着社会的发展、时代的变迁,嗨子戏也理应从当代中国民族声乐文化中汲取营养,无论是发声方法、表演形式、表演风格等等,都应不断丰富、完善自身,从而发扬光大、世代相传。全文分为四部分：第一章：嗨子戏的产生与发展。这部分主要阐述了嗨子戏的发展历程,它由小到大,由弱到强,再由强到弱,经历了一个个曲折艰难的历程,由嗨子戏的变化,可以看出历史的发展,时代的变迁,文化的兴衰。第二章：嗨子戏本体元素描述。这部分主要从嗨子戏的润腔所包含的语言元素、曲牌元素以及伴奏元素三方面入手,对嗨子戏的语言基础、语言结构、曲牌特征、曲牌结构以及伴奏乐器等方面加以详细分析,从而梳理出嗨子戏润腔的音乐风格和地方特色。第三章：传统的嗨子戏腔。嗨子戏在经历漫长的发展过程中,形成了一套独特的润腔技巧。本文主要从嗨子戏的发声特点、演唱技巧以及润腔特点三个方面来分析嗨子戏的润腔特色。第四章：改进中的嗨子戏腔。嗨子戏传统与当代中国民族声乐演唱是双向回溯的,本章主要通过两者的互相借鉴和学习,使双方都能得到有益的发展,使中国的民间戏曲和当代中国民族声乐得到更好更高的发展,将中国的语言、风格、情感和审美得以发扬。
[Abstract]:This paper , based on field investigation , document data method and analysis synthesis , has distinctive originality and unique uniqueness . In this paper , the author tries to study and explore the characteristics , singing skills and characteristics of the opera in Funan . The author tries to find out valuable skills and experiences , and expects to give more inspiration to the singing of Chinese national vocal music .
At the same time , it is also influenced by contemporary Chinese national vocal music . With the development of society and the change of the times , it is necessary to learn the nutrition from the contemporary Chinese national vocal music culture .

Chapter One : The generation and development of the drama of Hi . This part mainly expounds the development course of the hi - zi opera , it is from small to large , from weak to strong , from strong to weak , through a tortuous and difficult course , from the change of the hi - play , can see the development of the history , the change of the times , and the rise and decline of the culture .

Chapter 2 : The description of the elements of the sub - drama . This part starts with the language elements , the elements of the music and the elements of the accompaniment elements , and analyzes the language foundation , the structure of the language , the characteristics of the music , the structure of the music and the accompanying musical instruments , and sorts out the musical style and the local characteristics of the opera fountain .

Chapter 3 : The traditional hi - zi opera cavity . hi the process of the long development , the opera has formed a unique set of fountain skill . This article mainly analyzes the characteristics of the fountain of the hi - play in three aspects : the characteristics of phonation , the singing skill and the characteristics of the fountain cavity .

The fourth chapter : The improvement of Chinese folk opera cavity . hi the traditional and contemporary Chinese national vocal music singing is two - way backward , this chapter mainly through mutual reference and study , make both sides can get beneficial development , make Chinese folk opera and contemporary Chinese national vocal music get better and higher development , Chinese language , style , emotion and aesthetic can be developed .
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

【参考文献】