当前位置:主页 > 文艺论文 > 戏剧论文 >

论多尼采蒂《拉美莫尔的露琪亚》中露琪亚的角色塑造

发布时间:2018-05-31 18:09

  本文选题:多尼采蒂 + 女主角露琪亚 ; 参考:《上海音乐学院》2010年硕士论文


【摘要】: 十九世纪初期,浪漫主义思潮席卷整个欧洲。意大利民族解放运动的现实又直接影响着艺术家们。而此时正歌剧的落寞、古老罗马神话故事的陈旧过时、人们对当代生活题材日益浓厚的兴趣又促使了一个新的流派的诞生,这就是以罗西尼、多尼采蒂和贝里尼为代表的意大利浪漫主义歌剧流派。从此1“美声学派的新时期”开始了,也即是没有阉人歌手的第二次“美声学派的黄金时代”。其中多尼采蒂作为2介于罗西尼与威尔第之间承上启下的人物,在意大利歌剧史上具有重要的地位,也被人们称为“意大利美声学派”的三大巨头之一 多尼采蒂一生写了六十五部歌剧。这些作品风格多样,其中最为著名也最为优秀的是《拉美莫尔的露琪亚》,这部作品被看成是“女高音的战马”。其唱段的难度之大,表演的要求之高都为世人所公认。 本人将着重分析女主角露琪亚的角色塑造,希望通过这次的研究能更加清楚的了解多尼采蒂的作品风格,更加精准的、理性的把握这部作品,更细致的把握女主角露琪亚的音乐性格,从而更好的指导露琪亚的的演唱与表演。由于其唱段是由花腔女高音演绎的,所以也对花腔女高音的教学有着一定的实际意义。对于这部作品的研究国外是比较具体而全面的,而在国内却比较薄弱。对于女主角的角色分析到现在为止还没有被发现,所以对这部作品女主角的角色的分析研究将为我国的歌剧研究提供一定的理论意义。 通过本文的介绍,希望大家能够整体的了解这部作品,细致的理解这部作品,更加喜爱这部作品,也希望能够给众多朋友提供一些表演上与教学上的有用的素材,进一步完善与发展我们对美声唱法的理解与运用。
[Abstract]:Romanticism swept across Europe in the early nineteenth century. The reality of the Italian national liberation movement directly affected the artists. At this time, the desolation of opera, the antiquated ancient Roman mythology, and the growing interest in the subject matter of contemporary life have led to the birth of a new school, that is, Erosini. Donizetti and Berini represented the Italian Romantic Opera School. From then on, the "new era of the school of beauty" began, that is, the second "golden age of the school of beauty" without eunuchs. Donicetti, as a figure between Rosini and Verdi, plays an important role in the history of Italian opera, and is also known as one of the three giants of the "Italian school of American sound". Donetzetti wrote 65 operas in his life. The most famous and excellent of these works is Lucia of Latin America, which is regarded as a soprano horse. Its singing difficult, performance requirements are recognized by the world. I will focus on the role shaping of the heroine Lucia, hoping that through this study, I can get a clearer understanding of Donizetti's work style and grasp this work more accurately and rationally. A more careful grasp of the heroine Lucia's musical personality, so as to better guide the singing and performance of Lucia. Since the canto is interpreted by the soprano, it has some practical significance in the teaching of the soprano. The study of this work is more specific and comprehensive abroad, but relatively weak in China. So far, the analysis of the role of the heroine has not been discovered, so the analysis of the role of the heroine in this work will provide a certain theoretical significance for the study of opera in China. Through the introduction of this article, I hope you can understand this work as a whole, understand it in detail, love this work even more, and also hope to provide many friends with some useful materials for performing and teaching. Further improve and develop our understanding and application of Bel Canto.
【学位授予单位】:上海音乐学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J832

【参考文献】

相关硕士学位论文 前4条

1 朝鲁;试论多尼采蒂歌剧男高音风格及其对美声唱法的贡献[D];内蒙古师范大学;2006年

2 吴林锴;贝里尼与多尼采蒂歌剧中男高音唱段之研究[D];山东师范大学;2007年

3 苑璐;19世纪意大利歌剧演唱特征初探[D];天津音乐学院;2007年

4 黄小宾;美声唱法中花腔演唱的审美分析[D];厦门大学;2007年



本文编号:1960799

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/1960799.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户57421***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com