对于中文版音乐话剧《雾都孤儿》的戏剧性探讨

发布时间：2018-06-01 02:52

本文选题：狄更斯 + 雾都孤儿　；参考：《上海音乐学院》2017年硕士论文

【摘要】：值狄更斯诞辰200周年之际,《雾都孤儿》中文版音乐话剧在上海话剧艺术中心与英国TNT剧院的共同合作下于2012年7月5号至22日在上海上演,此后,中文版音乐话剧《雾都孤儿》先后数次在上海话剧中心上演,如2013年5月29日到6月9日,及2015年4月1日至4月19日期间的多场演出。中文版音乐话剧《雾都孤儿》导演保罗·斯特宾(Paul Stebblings)曾直言:"《雾都孤儿》非常适合搬上舞台,它充满了戏剧性,悲喜交加。"从其上演及接受情况来看,斯特宾的话得到了印证,这部作品也受到了中国观众与相关演职人员的肯定与喜爱,展示了它在小说、电影和大剧场音乐剧之外的另一种潜在生机。我曾有幸参演上海话剧艺术中心中文版音乐话剧《雾都孤儿》,这部流传了近200年的文学名著以一种将音乐与话剧相结合的艺术方式重新诠释,在短短一个多小时内,音乐话剧版《雾都孤儿》如何有效地反映狄更斯的原作,使其在具有强烈戏剧性的同时具有现代性,这些都引起了我的思考。本文将从以下几个部分对相关问题进行探讨:台本的戏剧性与喜剧性探讨、音乐的戏剧性表现及戏剧性之于音乐表演的启示。由于我曾在中文版音乐话剧《雾都孤儿》中扮演过南希和机灵鬼,我将着重论述这两个人物的相关唱段,结合戏剧性和人物唱段来思考人物塑造的相关问题。
[Abstract]:On the 200th anniversary of Dickens' birth, Orphan Twist's Chinese musical drama was staged in Shanghai from July 5 to 22, 2012, in collaboration with the Shanghai Drama Arts Centre and the British TNT Theatre. The Chinese musical drama Orphan of Wudu was staged several times in Shanghai Drama Center, such as May 29 to June 9, 2013, and April 1 to April 19, 2015. Paul Stebblings, director of the Chinese musical drama Orphan Twist, once said, "Orphan Twist is perfect for the stage. It's full of drama and joy." Judging from its performance and reception, Stebbin's words have been confirmed, and the work has also been affirmed and loved by Chinese audiences and related performers, demonstrating its potential vitality in addition to novels, movies and major theater musicals. I had the privilege to take part in the Chinese version of the Shanghai Drama Art Center, the Orphan of Wudu, a literary masterpiece that has been circulating for nearly 200 years and reinterpreted it in an artistic way that combines music with drama, and in just over an hour. How the Orphan of Twist Orphan of the Musical Drama effectively reflects Dickens' original works and makes them have a strong drama and modernity, all of these have aroused my thinking. This article will discuss the related problems from the following parts: the drama and comedy of Taiben, the dramatic performance of music and the inspiration of drama to musical performance. Since I have played Nancy and Ghost in the Chinese musical drama Orphan of Whew, I will focus on the related passages of these two characters, combining drama and character choreography to think about the related problems of character shaping.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J834;J617.4

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