汶河大鼓兴衰论（1949-2009）

发布时间：2018-06-01 18:47

本文选题：汶河大鼓 + 兴衰　；参考：《福建师范大学》2010年硕士论文

【摘要】：汶河大鼓是鲁中南土生土长的民间曲艺,又名“大鼓书”,用泰安方言演唱,唱腔高拔、诙谐幽默。在长期的历史发展过程中,汶河大鼓既保持了自己独特的艺术魅力,又借鉴姊妹艺术的特点来丰富完善自己,形成了风格独特、别具韵味的艺术特点。本文通过对建国以来汶河大鼓“兴—衰—复苏”三个时期的剖析,为在现代社会中的传统文化如何保存与传承提供一个参考。另外,作为属于跨学科领域的研究,借用不同学科的视角,本文在民族音乐学的基础上,借鉴美学知识对其进行解析,采用“局内人”、“局外人”双视角,以多角度、多层面的视野对汶河大鼓的兴衰进行剖析,从地理政治文化背景、汶河大鼓自身艺术特点、观众审美心理变化的三个角度归纳总结,试图在一定程度上丰富大鼓研究的文化理论。
[Abstract]:Wenhe Drum is a folk art born in central and southern Shandong, also known as "Dagu Book", singing in Taian dialect, singing Gao Bu, witty humor. In the long historical development process, Wenhe Drum not only maintains its own unique artistic charm, but also uses the characteristics of sister art to enrich and perfect itself, forming a unique style and unique artistic characteristics. Through the analysis of the three periods since the founding of the people's Republic of China, the paper provides a reference for how to preserve and inherit the traditional culture in modern society. In addition, as a kind of interdisciplinary research, using the perspective of different disciplines, this paper, on the basis of ethnomusicology, uses aesthetic knowledge to analyze it, and adopts "insider" and "outsider" to analyze it from different angles. This paper analyzes the rise and fall of Wenhe Dagu from a multi-level perspective and summarizes it from three angles: the background of geo-political culture, the artistic characteristics of Wenhe Dagu, and the changes of audience's aesthetic psychology. Try to enrich the cultural theory of Drum to some extent.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J826

【参考文献】