祁剧弹腔南路的调查与研究

发布时间：2018-06-02 02:46

本文选题：祁剧 + 弹腔　；参考：《湖南师范大学》2011年硕士论文

【摘要】：祁剧是孕育在楚南这块肥沃土壤中的戏曲奇葩。在历史长河中,风风雨雨走过了500余年的历程,祁剧的音乐文化内涵极其深厚,受到广大群众的欢迎。本文以祁剧弹腔南路作为研究对象,以实地考察为基础,结合音乐学、民俗学、音乐美学、历史学等观点,运用民族音乐学基础理论,从祁剧弹腔南路的源流、声腔、器乐伴奏、审美特征以及传承这五个方面进行深入,企望填补目前祁剧弹腔南路研究方面的一些缺失,为祁剧的深入研究增添新的参考材料。文章主要分五大部分：第一章从祁阳的地理位置、人文环境、社会习俗等方面阐述孕育祁剧的独特历史与文化背景,对弹腔南路的源流进行概述,对南路的几种来源提出自己的看法；第二章主要对南路板式的腔节落音、句末落音、旋律进行、节奏音程以及音乐所表达的情感进行详细的分析,为研究弹腔南路声腔的审美特性提供理论基础；第三章针对目前祁剧研究在弹腔南路唱腔器乐伴奏方面涉及较少的现状,对南路文武场乐器进行了简要介绍,并对生、旦两个角色的弦乐过门伴奏进行比较与分析,对打击乐伴奏的作用进行举例分析并进行阐述,旨在为弹腔南路唱腔器乐伴奏方面提供一定的研究参考；第四章通过将弹腔南路唱腔与北路唱腔、南路的旦行唱腔与生行唱腔进行对比,分析其内在组成结构,总结弹腔南路唱腔独特的审美特征；第五章通过田野调查,对造成其现状的原因进行较深入的分析并提出一些看法和建议,意在对祁剧的保护与发展提供一些参考。
[Abstract]:Qi Opera is a wonderful opera that was conceived in the fertile soil of Chu Nan. In the long history, through more than 500 years of history, Qi opera music and cultural connotation is extremely profound, welcomed by the masses. Based on the field investigation and the viewpoints of musicology, folklore, music aesthetics and history, this paper applies the basic theory of ethnomusicology, from the origin and flow of Qi Opera Chamber South Road, from the source of Qi Opera Chamber South Road, and from the voice of the South Road of Qi Opera Opera cavity, based on the views of musicology, folklore, music aesthetics, history and so on. Instrumental accompaniment, aesthetic characteristics and inheritance of these five aspects in-depth, hoping to fill in the current Qi-ju Chamber South Road research deficiencies, for the in-depth study of Qi drama to add new reference materials. The article is divided into five parts: The first chapter expounds the unique historical and cultural background of Qi Opera from the geographical position, humanistic environment, social custom and so on, summarizes the origin and stream of Guancao South Road, and puts forward his own views on several sources of South Road. In the second chapter, the author makes a detailed analysis of the South Road floor, sentence, melody, rhythmic interval and the emotion expressed by the music, which provides a theoretical basis for the study of the aesthetic characteristics of the projectile South Road. In the third chapter, in view of the present situation that the research of Qi Opera involves less instrumental accompaniment in the Pian cavity South Road, the paper briefly introduces the Wenwuchang musical instruments of Nanlu, and compares and analyzes the string crossing accompaniment between the two characters. The role of percussion music accompaniment is analyzed with examples and expounded in order to provide a certain reference for the research of instrumental accompaniment in the south of the chamber. In the fifth chapter, through field investigation, the author analyzes the inner structure of the singing and summarizes the unique aesthetic characteristics of the canto. This paper makes a deep analysis of the causes of the present situation and puts forward some opinions and suggestions in order to provide some references for the protection and development of Qi Opera.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825

【引证文献】