焦菊隐“心象说”与斯氏体系关系二题

发布时间：2018-06-04 13:34

  本文选题：焦菊隐 + 心象说　； 参考：《北京师范大学学报(社会科学版)》2017年03期

【摘要】：有学者称焦菊隐的“心象说”对斯坦尼斯拉夫斯基表演体系存在误解,“心象说”应该看作焦菊隐综合体验、表现及中国传统戏曲理论的结果,然而,通过考察焦菊隐研读斯氏著作的史实,并将焦菊隐所论与斯氏相关著述对读,可以看出:焦菊隐所说“在你生活于角色之前,首先使角色生活于你”虽非斯氏原话,但也不是随意杜撰;而焦菊隐对斯氏《演员自我修养》第二部有关“性格化”的理解,恰与斯氏手稿之言不谋而合。焦菊隐的“心象说”并未违背斯氏体系精神,只是在方法层面上有所不同,故与其说焦菊隐的“心象说”是综合三家之说的产物,不如说是斯氏表演体系的中国变体。
[Abstract]:Some scholars say that Jiao Juyin's "mind vision" has a misunderstanding of Stanislavsky's performance system, and that "mind vision" should be regarded as the result of Jiao Juyin's comprehensive experience, performance and Chinese traditional opera theory. By examining the historical facts of Jiao Juyin's works and comparing Jiao Juyin's related works with his works, we can see that Jiao Juyin says, "before you live in a role, first make the character live in you." But it is not arbitrary; Jiao Juyin's understanding of character in the second installment coincides with his manuscripts. Jiao Juyin's "mind vision theory" is not contrary to the spirit of his system, but is different in method, so Jiao Juyin's "mind vision theory" is not so much a product of the three theories as a Chinese variant of his performance system.
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本文编号：1977547