戏曲研究的新领域与新方法——从谷曙光著《梨园文献与优伶演剧》说起

发布时间：2018-06-06 05:17

本文选题：戏曲研究 + 戏曲史　；参考：《四川戏剧》2017年02期

【摘要】：正从近十数年的研究成果来看,中国戏曲史研究所关注的时代领域趋于下移,即原来作为戏曲史关注重点的元明古典戏曲,已经逐渐让位于清代至民国的近代戏曲史。学术视野的变化主要基于清代以降数量巨大的文献资源被不断地公布并呈现于学者面前。当然,传统的文本研究,特别是以杂剧、传奇为中心的文本研究,限于资料文献收集的竭泽而渔,和研究方法对文学文献的执着固守,其可以提升的空间渐趋缩小,也直接引发了学术界别出机杼的领域拓展。新世纪以来,
[Abstract]:According to the research results of recent ten years, the era field that the Chinese opera history research institute pays close attention to tends to move downward, that is, the Yuan and Ming classical opera, which used to be the focal point of the opera history, has gradually given way to the modern opera history from the Qing Dynasty to the Republic of China. The change of academic vision is mainly based on the huge amount of literature resources published and presented to scholars in the Qing Dynasty. Of course, the traditional text study, especially the text study centered on zaju and legend, is limited to the study of literature collection and the persistence of research methods in literature, so that the space that can be promoted gradually shrinks. It also directly led to the expansion of the academic field. Since the new century,
【作者单位】：中国艺术研究院戏曲研究所;

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