论演唱《波吉与贝丝》中唱段“我爱你波吉”时不同唱法的“混搭”运用

发布时间：2018-06-06 11:24

本文选题：波吉与贝丝 + 我爱你波吉　；参考：《武汉音乐学院》2017年硕士论文

【摘要】：本文旨在以作品《波吉与贝丝》中的唱段“我爱你波吉”为例,探究如何在科学的美声唱法基础上混搭进例如音乐剧唱法、黑人灵歌唱法、爵士唱法等,能与作品本身特点相互糅合的一种最能诠释作品内涵和作品灵魂的唱法。本文总共分为三章,引言部分介绍攥写本文的目的及意义。第一章总述《波吉与贝丝》这部剧及剧中主角波吉和贝丝的情感线、故事线,以及对曲作家和剧作家的分别描述。第二章主要是针对其选段“我爱你波吉”这首作品的细致分析,包括谱例的分析、音乐类型及风格性的分析以及对现今几位歌唱家所演绎的此作品的版本对比和分析。第三章是讨论关于声音“混搭”问题的章节,包括论述其概念、合理性及可行性等问题,描述爵士乐及黑人灵歌的特证,论述“混搭”的方法论,以及一些诸如针对“混搭”唱法所引发的一连串思考,包括对歌剧的影响以及论述其民族性问题,结语是对本文的一个总体概括。
[Abstract]:The purpose of this paper is to take the choir "I Love you Porgy" in "Porgy and Beth" as an example, to explore how to mix music singing, black spiritual singing, jazz singing and so on the basis of scientific Bel Canto. It is the best way to interpret the connotation and soul of the work. This article is divided into three chapters, the introduction introduces the purpose and significance of this paper. The first chapter gives an overview of the emotional lines, story lines, and descriptions of the songwriters and playwrights of the play and its protagonist, Peggy and Beth. The second chapter mainly focuses on the detailed analysis of the selected paragraph "I love you Bogie", including the analysis of spectrum examples, the analysis of music types and styles, and the comparison and analysis of the versions of this work by several singers. The third chapter discusses the problem of sound "mixing", including its concept, rationality and feasibility, describes the characteristics of jazz and black songs, and discusses the methodology of "mixing". The conclusion is a general summary of this paper, as well as a series of thoughts on the singing method of "mixed match", including the influence on opera and the discussion of its nationality.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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