论普契尼三部歌剧中的男主人公角色塑造

发布时间：2018-06-07 03:46

本文选题：普契尼 + 男主人公角色　；参考：《山东师范大学》2010年硕士论文

【摘要】： 意大利作曲家贾可谟.普契尼作为世界公认的继威尔第之后最伟大的歌剧大师,他的歌剧作品在世界音乐舞台上占有极其重要的地位,深受人们喜爱。如:《托斯卡》、《艺术家的生涯》、《蝴蝶夫人》、《图兰朵》等都已成为世界歌剧舞台上盛演不衰的保留剧目。普契尼的歌剧创作是在意大利真实主义文学的影响下产生的,他的作品贴近现实生活,不避讳题材的渺小,选材严谨,赋予了主人公真挚热情的性格,并对遭到凌辱的弱者给予了深刻的同情和怜悯。纵观普契尼的歌剧作品,多以女主人公的名字命名,而且主要以表达为爱情牺牲的、温柔妇女的内心情感世界为主,但是笔者认为对普契尼作品中男主人公的音乐与戏剧形象的分析研究同等重要,因为普契尼对待女性的态度都是隐藏在她所喜欢的男性形象之中的。本文正是以普契尼的三部较为典型的作品《托斯卡》、《艺术家的生涯》和《图兰朵》为分析蓝本,对这三部作品中男主人公的音乐与戏剧形象进行了深刻详细的探究,旨在把握好人物的内心情感,以便于指导声乐演唱的二度创作。论文共分为四章来论述: 第一章简要介绍了普契尼的生平事略和音乐作品的创作概述,阐述了他在歌剧创作中的突出成就,为具体分析歌剧中的男主人形象做好铺垫。第二章主要介绍了真实主义歌剧的渊源以及真实主义歌剧对普契尼的音乐创作的影响。对具体分析歌剧中男主人公的音乐与戏剧形象特征具有重要意义。第三章分别对《托斯卡》、《艺术家的生涯》、《图兰朵》的男主人公卡瓦拉多西、鲁道夫和卡拉夫的戏剧形象做了具体的个性分析,并且联系剧情分析出他们的性格特征和心理状态,便于演唱者更好的表现主人公的内心情感,指导声乐演唱。第四章与第三章相呼应,本章节主要对以上三部歌剧的男主人公的音乐形象进行了细致的挖掘。在具体分析过程中以与男主人公有关的音乐片段为分析重点,对三个人物角色的音乐形象进行了总结概括,结合第三章对男主人公的戏剧形象的分析,使演唱者更加准确完美的表达人物形象。通过查阅相关资料,笔者发现,到目前为止关于对普契尼歌剧角色进行研究的文章,大多集中在了对某一角色单独进行分析上,而缺少在横向上的对比。本文对各个角色重新进行单独的剖析,并且添加了角色戏剧形象和音乐形象上的比较,希望能进一步提高演唱者对不同角色性格特征的认识,在演唱时能够更加准确到位。
[Abstract]:Italian composer Giacomu. Puccini is recognized as the greatest opera master after Verdi in the world. His operas play a very important role in the world music stage and are loved by people. For example, Tosca, the career of the Artist, Lady Butterfly and Turandot have all become the most popular repertoire in the world opera stage. Puccini's opera creation was produced under the influence of the Italian truism literature. His works are close to the real life, not avoid the small subject matter, the material selection is rigorous, gave the protagonist a sincere and warm character. And to the humiliated weak to give deep sympathy and compassion. Throughout Puccini's operas, most of them are named after the heroine, and they are mainly about the inner and emotional world of gentle women, which is expressed as the sacrifice of love. However, the author thinks that it is equally important to analyze the characters of Puccini's protagonists' music and drama, because Puccini's attitude towards women is hidden in her favorite male images. Based on the three typical works of Puccini, Tosca, career of artists and Turandot, this paper makes a deep and detailed study on the musical and dramatic images of the protagonists in these three works. The purpose is to grasp the inner feelings of the characters so as to guide the second creation of vocal singing. The thesis is divided into four chapters: The first chapter briefly introduces Puccini's life and music works, expounds his outstanding achievements in opera creation, and lays the groundwork for the concrete analysis of male master image in opera. The second chapter mainly introduces the origin of truism opera and its influence on Puccini's music creation. It is of great significance to analyze the musical and dramatic characters of the protagonists in opera. The third chapter analyzes the characters of Tosca, the career of artists, the characters of Carvaladosi, Rudolph and Kalaf in Turandot, and analyzes their character and psychological state according to the plot. It is convenient for the singer to better express the inner emotion of the hero and guide the singing of vocal music. The fourth chapter and the third chapter echo, this chapter mainly carries on the careful excavation to the above three opera male hero's music image. In the concrete analysis process, taking the music fragments related to the hero as the analysis emphasis, the author summarizes the music images of the three characters, and combines the third chapter to analyze the drama image of the hero. To make the singer more accurate and perfect expression of the character image. By consulting the relevant data, the author found that the research on Puccini opera characters mostly focused on the analysis of one role alone, but the lack of horizontal contrast. This paper analyzes the characters separately and adds the comparison between the characters of drama and music, hoping to further improve the understanding of the characters of different characters, and to be more accurate in singing.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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