川剧《尘埃落定》之我见

发布时间：2018-06-08 15:40

本文选题：《尘埃落定》 + 戏曲本体　；参考：《当代戏剧》2017年02期

【摘要】：正在第十一届中国艺术节上,豫剧《焦裕禄》、评剧《母亲》、淮剧《小镇》从19台地方戏中脱颖而出,荣获文华大奖。而综观本届艺术节的地方戏作品,可谓争奇斗艳、异彩纷呈,在这三台获奖剧目之外,不乏遗珠。成都市川剧院的《尘埃落定》便是如此,从剧本到舞台呈现都力求回归戏曲本体,有着一部好剧该有的品相。一、在剧本创作上对戏曲本体的回归该剧改编自藏族作家阿来获矛盾文学奖的长篇小说《尘埃落定》。剧本尊重小说原著,按照传统戏曲
[Abstract]:At the 11th China Art Festival, Henan Opera "Jiao Yulu", "Mother" and Huai Opera "small Town" stood out from 19 local plays and won the Wenhua Prize. And looking at this festival's local opera works, it can be said to be dazzling, colorful, in addition to these three award-winning plays, there is no lack of pearls. This is the case of the Chuan Opera House in Chengdu. From the script to the stage presentation, it tries to return to the opera itself and has a good character. First, the return of the drama itself in the script creation. The play is adapted from the novel "settling the dust" by Tibetan writer Alai, who won the Prize for contradictory Literature. The script respects the original novel and follows the traditional opera
【作者单位】：天津市剧协;
【分类号】：J825

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