浅谈“角色”与“自我”——演蒲剧武行之体会

发布时间：2018-06-09 12:23

本文选题：蒲剧 + 地方戏　；参考：《艺术科技》2016年06期

【摘要】：蒲剧作为地方戏艺术,珍贵之处就在于源于生活。所以作为蒲剧演员,更需要细心体味生活。如果我们仅仅把舞台演出看成是不得不去完成的匠艺任务,那样就会忽视人物角色的情感归宿,必然造成远离生活,最终也必然形成表演上的脸谱化、程式化,甚至虚假、失真!由此可见,蒲剧演员的舞台表演必须遵循角色(人物)的情感逻辑和生活轨迹,按照自然法则赋予人物妥帖、真挚的情感。只有如此才能摆脱刻板的舞台程式束缚,才能塑造出丰满鲜活、有血有肉的舞台人物。
[Abstract]:As a local opera art, the prized place is the origin of life. So as a PU opera actor, it needs to be more careful and savor life. If we only regard the stage performance as a craftsman task that we have to complete, we will ignore the emotional return of the characters, make it far away from life, and eventually form the face of the performance. It can be seen that the stage performance of the cattail actors must follow the emotional logic and the life track of the characters (characters), and give the characters and sincere emotions in accordance with the laws of nature. Only in this way can we get rid of the stereotyped stage binding of the stage to shape the full and lively stage characters.
【作者单位】：三门峡市陕州区蒲剧团;
【分类号】：J825

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